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...brilliant performance by Gian Maria Volonte as the tough Roman cop who slits the exquisite throat of his mistress to test his own power against the State's justice...

Author: By Jim Crawford, | Title: Exploitation Movies Investigation of a Citizen Above Suspicion | 4/23/1971 | See Source »

...ever dull his tart, epigrammatic wit. Conductors, critics and colleagues regularly felt its sting. Stravinsky once said of Leopold Stokowski that "he must have spent an hour a day trying to find the perfect bisexual hairdo." He called New Yorker Music Critic Winthrop Sargeant "W.S. Deaf." Of a new Gian Carlo Menotti opera, he said, "It is 'farther out' than anything I've seen in a decade; in the wrong direction, of course." He also took on broader targets. The technology of today's recording engineers, he complained, removed natural sound and human errors, producing...

Author: /time Magazine | Title: Music: The Rightness of His Wrongs | 4/19/1971 | See Source »

...Gian Carlo Menotti scribbled away at arias and orchestrations right up to the final dress rehearsal. So did the copyists. Despite the furious round-the-clock push, the official first night of The Most Important Man at the New York City Opera had to be set back six days. Said a weary Menotti: "It will kill me one day. I'll have a heart attack, I know...

Author: /time Magazine | Title: Music: Living Children | 3/22/1971 | See Source »

...Roman inspector (Gian Maria Volonte) is a remorseless homicide cop who also happens to be a homicidal psychopath. The sexual subcurrents of his sickness are brought out by his mistress (Florinda Bolkan), who is entranced by his bloody profession. The film opens on his last visit to her. "How will you kill me this time?" she coquettishly asks. "I'll cut your throat," he replies. And so he does, as they make love. With deliberate clumsiness, he steals her jewelry (but not her 300,000 lire), leaves his fingerprints in the shower and bloody shoeprints. Then he takes...

Author: /time Magazine | Title: Cinema: Injustice is Blind | 1/18/1971 | See Source »

...scandal of The Lady of Monza is scarcely worth a footnote in the history of the 17th century church-or in the annals of cinema. An aristocratic nun of Monza, Italy (Anne Heywood), is raped by the villainous landowner Gian Paolo (Antonio Sabato). Behold, she likes it -as do many of her colleagues in the convent. Soon Gian Paolo and the priest, Don Arrigoni (Hardy Kruger), are enjoying the favors of novices, nuns and the prioress. In the denouement the nun of Monza, for her sins, is sealed alive in a dungeon. So was the incident at Monza until...

Author: /time Magazine | Title: Cinema: Stubbed Footnote | 4/27/1970 | See Source »

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