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...designs were the first stage settings by the great English sculptor, Henry Moore, 68, and were the sensation of the opening week of the tenth annual Festival of Two Worlds. When the festival director, Gian Carlo Menotti, first suggested the idea, Moore was reluctant. After all, for years he had declined Sir Laurence Olivier's entreaties to design a production of King Lear for Britain's National Theater. But then Moore agreed to let Italian Designer Fiorella Mariani adapt settings from his existing works. When he saw the results, he was so pleased that he immediately...

Author: /time Magazine | Title: Festivals: Ominous Vistas | 7/14/1967 | See Source »

What the Caesars left undone in Rome, one baroque genius, Gian Loren zo Bernini, tried in the 17th century to finish singlehanded. He was as famous in his day as Michelangelo had been in his, and justly so. For in a lifetime he not only completed St. Peter's by adding its embracing colonnade; he also churned out sculptural piazzas by the dozen, did work for eight popes and sculpted...

Author: /time Magazine | Title: Sculpture: Testaments to a Baroque Prodigy | 1/20/1967 | See Source »

Composer-Impresario Gian Carlo Menotti had never directed a straight play before, but this was one challenge he could not resist. It was the first Ital ian production of Jean Anouilh's Medea, with volcanic Film Actress Anna Magnani (Open City, The Rose Tattoo) in the title role. Menotti realized all along, though, that working with Magnani is "like working with fire. It might burn down the whole house if you let it go, but if you put water on it, the fire might go out. You must keep the fire burning without destroying the theater...

Author: /time Magazine | Title: Theater Abroad: Overplaying Medea | 12/30/1966 | See Source »

...Gian Carlo Menotti's opera about the poor, crippled boy who generously offers his crutch to the "Child" in Bethlehem...

Author: /time Magazine | Title: Time Listings: Dec. 23, 1966 | 12/23/1966 | See Source »

Peeks & Pathos. The biweekly series got off winging in September with a charming lope through Spoleto, Italy, where Composer Gian Carlo Menotti was preparing his home-grown annual music festival. Bell's camera crews spent seven weeks with Menotti. They peeked in as he attended rehearsals, chatted with visitors in three languages, and finally paraded ecstatically through congratulatory mobs in Spoleto's town square on the night of his birthday. Musically, the program equaled anything that Bell was ever able to do in the studio, with Sviatoslav Richter as the pianist in the Shostakovich Quintet and Zubin Mehta...

Author: /time Magazine | Title: Television: Bell Ringer | 12/16/1966 | See Source »

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