Word: gianes
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...Composer Gian Carlo Menotti's Festival of Two Worlds had come some of the freshest talent of the U.S. and Europe: Choreographers Jerome Robbins and John Butler, Conductor Thomas Schippers, Painters Ben Shahn and Saul Steinberg, Stage Director Luchino Visconti. The biggest eye opener of the festival so far was an irreverent band of youngsters in sweatshirts and sneakers imported by Choreographer Robbins to give Italians a bracing sample of modern ballet...
...Whirling Ear guards the outside pool of the U.S. Pavilion at the Brussels World's Fair (Calder's commission: $10,000). Last week Mr. Mobile left his Roxbury studio and flew to Spoleto, Italy, to supervise the installation of his sculptures, used in a ballet set in Gian Carlo Menotti's Festival of Two Worlds. Soon to be installed at the new Paris headquarters of UNESCO is the most ambitious of all Sculptor Calder's works -a 30-ft.-high mobile, The Clockwise Spiral...
...Underwritten by $105,000 from the Ford Foundation, the season spans the last 20 years of U.S. operatic production with a repertory drawn from more than 200 submitted works. Among the composers represented were such veterans as Douglas Moore (The Ballad of Baby Doe), Leonard Bernstein (Trouble in Tahiti), Gian Carlo Menotti (The Medium, The Old Maid and the Thief), plus such lesser-known names as Vittorio Giannini (The Taming of the Shrew) and Mark Bucci (Tale for a Deaf...
...capitals but to the Belgian Congo and the rim of the Arctic Circle. This summer offers two special magnets for U.S. attractions: the Brussels World's Fair (highlights: the American Ballet Theater, the Philadelphia Orchestra, Louis Armstrong) and Italy's Festival of Two Worlds, organized by Gian Carlo Menotti (three new ballets by Choreographer Jerome Robbins, a new production of Verdi's Macbeth conducted by the Met's Thomas Schippers). At many other festivals and in countless solo appearances around the world, the U.S. will display an impressive roster of artists. Among them...
Living Death. The results might have been even more impressive if the librettist had written the score instead of the book. The librettist (and stage director): Composer Gian Carlo (The Saint of Bleecker Street) Menotti, who writes the words for his own rousing operas, this time undertook to serve as librettist to his longtime friend Sam Barber. Menotti's yarn is like a pulse-bumping 19th century melodrama that lacks the courage of its afflictions. The lover, when he finally arrives, is not the man Vanessa was waiting for, but his son Anatol, a fatally charming young...