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Word: gianninis (lookup in dictionary) (lookup stats)
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...crowd. The play becomes the raucous comedy that Chekhov always insisted it was and hurtles exuberantly toward a triumph of optimism over experience. Among a solid cast, including Jeremy Geidt as the pathetic Chebutykin, three performers achieve fresh insight: Alvin Epstein as a hyperkinetic but somewhat dim Vershinin; Cheryl Giannini as a hard, petulant Masha; and Karen MacDonald as a vulgar, manipulative yet curiously sympathetic Natasha, the sister-in-law who drives the three sisters from their family home...

Author: /time Magazine | Title: Theater: Robert Brustein, Reinventing the Classics | 2/7/1983 | See Source »

...another such scene, Masha (Cheryl Giannini) recites her lines blankly to the tuneless hum of a spinning top. A third vignette shows Natasha sitting among a clutter of her child's toys: Building blocks, a tiny chair, a wooden dog on a string are silhouetted brokenly against the floor...

Author: By Deborah K. Holmes, | Title: A Flighty Trio | 12/7/1982 | See Source »

...company, as usual, acquits itself competently. No single actor steals the show or dazzles with thespian brilliance, but all-perform convincingly. Karen MacDonald as Natasha is appropriately flamboyant and flouncing. Cheryl Giannini manages very well the tenuous connection between Masha's existential misery and her womanly love for Lieutenant Coloral Vershinin (Alvin Epstein...

Author: By Deborah K. Holmes, | Title: A Flighty Trio | 12/7/1982 | See Source »

...performs major surgery on an American Jewish family. He draws blood and then salts the wounds. His hero, Jake (Bob Dishy), is a well-regarded journalist in early middle age with a secure post on the New York Times. He seems agreeably married to an attractive wife, Louise (Cheryl Giannini), and they have a perky seven-year-old daughter named Edie (Jennifer Dundas...

Author: /time Magazine | Title: Theater: Scar Tissue | 12/21/1981 | See Source »

...Coolidge Corner, Lina Wert-mueller's Swept Away makes you wonder if part of the avant-garde hasn't decided it is too cool for feminism. A northern Italian bitch-goddess (Mariangela Melato) teases and insults a poor, swarthy crew member (Giancarlo Giannini) on her husband's yacht, and when the two of them find themselves marooned on an uninhabited island everything turns upside down. Giannini turns his former oppressor into his concubine/serf and, as in Seven Beauties, shows he can do more with his eyes than anyone this side of Marty Feldman. There is a kind of love...

Author: NO WRITER ATTRIBUTED | Title: The Ultimate in Coffee Table Culture | 11/12/1981 | See Source »

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