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Word: gianninis (lookup in dictionary) (lookup stats)
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...hired one Mo Giannini as a night manager. The legendary...

Author: /time Magazine | Title: LAWSUITS: The Bar v. the Bank | 1/12/1976 | See Source »

...Giannini (no relation) founded the bank...

Author: /time Magazine | Title: LAWSUITS: The Bar v. the Bank | 1/12/1976 | See Source »

...bear a sexist message. Its protagonists are conventional sexual stereotypes. Raffaella (played by Mariangela Melata) is a rich capitalist bitch vacationing on a chartered yacht, most in her element when berating the deckhand who brings her iced coffee for the offensive odor of his sweaty shirt; Gennarino (Giancarlo Giannini) is the long-suffering deckhand, devoted equally to the Communist Party and to machismo. The plot is equally classic: shipwrecked together on a beautiful mediterranean isle, the two characters reverse roles entirely. Proletarian Gennarino humiliates bourgeois Rafaella sadistically, avenging class oppression and affronts to his masculinity simultaneously. But once Raffaella submits...

Author: By Jonathan Zeitlin, | Title: Mediterranean Farce, Feminist Fiasco | 10/17/1975 | See Source »

Wertmuller's fundamental lack of sympathy with feminist ideas parallels her conception of the relation between politics and love. In each of her films, Wertmuller shows men whose political ideas are contradicted by their emotional and sexual behavior: in Love and Anarchy Giancarlo Giannini fails to shoot Mussolini because he falls in love; in the Seduction of Mimi his machismo belies his communism and ultimately forces him to collaborate with the Mafia; in Swept Away he forsakes his peasant wife and children for the socialite Raffaella. Though Wertmuller sees herself as a political filmmaker, the emotional message of her films...

Author: By Jonathan Zeitlin, | Title: Mediterranean Farce, Feminist Fiasco | 10/17/1975 | See Source »

...certainly the sequences of Raffaella's subjugation are among the most strident and unpleasant in recent mem ory. It is discomfiting, especially in a movie made by a woman, to see the ma jor female character turned into such an abject creature. The fact that Actors Melato and Giannini, who starred together as well in Love and Anarchy and The Seduction of Mimi, are so wonderfully skillful only tips the movie's emotional imbalance further. They bring an awk ward poignancy, a true but misplaced tenderness to Wertmuller's ruthless and unruly romance...

Author: /time Magazine | Title: Cinema: Island Idyl | 10/6/1975 | See Source »

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