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...film otherwise focused on personal testimonies and confessions, her blankness seems to stem out of banal grievances. Her Krasinski-scripted loneliness does not have the same stark impact as that of her friend Harry (Benjamin Gibbard of “Death Cab for Cutie”), who uses Wallace’s words to confess the way he feels when his girlfriend is about to climax during sex: “This moment has this piercing sadness to it—of the loss of her eyes. I become like an intruder...

Author: By Sophie O. Duvernoy, CONTRIBUTING WRITER | Title: Brief Interviews with Hideous Men | 11/13/2009 | See Source »

...anyone’s voice can capture the wistful romanticism of sadness by the sea, it’s that of Death Cab for Cutie’s Ben Gibbard. On “One Fast Move or I’m Gone: Kerouac’s Big Sur,” Gibbard and Jay Farrar—of Son Volt and Uncle Tupelo fame—collaborate to craft a soundtrack to an upcoming documentary about Jack Kerouac’s 1967 novel “Big Sur.” Lyrics for the soundtrack are entirely drawn from...

Author: By Clio C. Smurro, CONTRIBUTING WRITER | Title: Ben Gibbard and Jay Farrar | 10/23/2009 | See Source »

...move / You’re the one that moves,” are surely meant to feel prophetic, but instead just feel insipid. As anyone even vaguely familiar with Beat literature can attest, Kerouac’s writing offers more beautifully composed images than those selected by Gibbard and Farrar to depict in song...

Author: By Clio C. Smurro, CONTRIBUTING WRITER | Title: Ben Gibbard and Jay Farrar | 10/23/2009 | See Source »

...stop-motion video, a quirky homage to Steven Johnson’s video for Peter Gabriel’s “Sledgehammer,” represents yet another good directorial gamble by the boys of Death Cab for Cutie. Well-known for selecting unheard-of directors, Ben Gibbard and company have struck gold with Norton, who manages to channel Nick Park (“Wallace & Gromit”) and Gustav Klimt at once. The result is both joyous and fragile, a montage of imagery and styles that suggest that everyone had some fun making the video. Striking me rather...

Author: By Elisabeth J. Bloomberg, Patrick R. Chesnut, and Henry M. Cowles, CRIMSON STAFF WRITERSS | Title: Pop Screen | 2/15/2006 | See Source »

...there's also supposed to be some evidence of maturity, and at least in this regard Plans tries way too hard. Gibbard, who writes all Death Cab's lyrics, spends a lot of time waxing nostalgic for a past that wasn't that long ago (Summer Skin, Someday You Will Be Loved), and when he looks to the future, he sees mostly death. I Will Follow You into the Dark opens with "Love of mine, someday you will die." What Sarah Said is set in an ICU "that reeked of piss and 409" and espouses the yearbook wisdom that "love...

Author: /time Magazine | Title: Music: Major Label, Minor Key | 8/28/2005 | See Source »

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