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Also elected were Anna L. Gibb '96, treasurer,Courtney R. Baker '96, secretary and Sharon L.Wing '97, publicity chair

Author: By Elizabeth M. Angell, | Title: RUS Elects New Co-Presidents | 2/11/1994 | See Source »

...Scotland-Cohu, Gibb, Scott, O'Conner, Houston(2); Harvard--Downing, Hansen, Alissi, Colligan, Clark. A: Scotland--no record; Harvard--Berkery, Colligan, Hansen, S: Scotland--Dare, 18; Harvard--Leary...

Author: By Peggy L. Yeh, CRIMSON STAFF WRITER | Title: Scotland National Team Delivers `Goodwill' Loss to Laxwomen, 6-5 | 4/21/1992 | See Source »

...that quintessentially 1970s conduit of musical mush, the eight-track tape, which had the annoying habit of dividing songs as it switched tracks, and also seemed to be what you bought for such embarrassing works (mistakes?) as the soundtracks to Grease and Saturday Night Fever, or anything by Andy Gibb, Bachman Turner Overdrive or Barry Manilow (yes, I admit it, I once owned this stuff; anyone who tells you they never did is lying...

Author: By Elizabeth L. Wurtzel, | Title: Longing For L.P.'s | 11/1/1989 | See Source »

...pulp fiction goes, Karen Carpenter is quite enjoyable. Cynthia Gibb (who lip-syncs Karen's syrupy hits like Close to You) and Mitchell Anderson are convincing as the sister-brother act. Director Joseph Sargent traces their rise to fame in brisk if superficial strokes. The film (which lists Richard Carpenter as executive producer) is blunt about the troubles the young stars faced: overprotective, underaffectionate parents (Louise Fletcher, Peter Michael Goetz), Richard's drug problems, Karen's growing obsession with losing weight. The scrubbed duo make drug abuse look positively wholesome, but the movie deftly grafts the morbid thrills...

Author: /time Magazine | Title: Video: The Pulp Message of the Week | 1/2/1989 | See Source »

Intentional homage, subconscious emulation or calculated rip-off? For Selle's suit against the Bee Gees, four bars of the two scores were blown up to display a suspiciously exact correspondence of notes; on the witness stand, even Bee Gee Maurice Gibb couldn't tell the two songs apart. The similarities between Herman's song and David's consisted of an identical series of ten intervals. And My Sweet Lord really does sound very much like He's So Fine, in melody and rhythm...

Author: /time Magazine | Title: Essay: Has Somebody Stolen Their Song? | 10/19/1987 | See Source »

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