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...EDWARD GIBBON: MEMOIRS OF MY LIFE. Edited from the manuscripts by Georges A. Bonnard. 346 pages. Funk & Wagnalls...

Author: /time Magazine | Title: Books: Country-Squire Roman | 12/19/1969 | See Source »

...contemporary imagination, Edward Gibbon seems to be eternally posed against a painted backdrop of the Roman Empire, proudly holding the six volumes of Decline and Fall as if he presumed to be part of Roman history himself. Yet no matter how long readers stare-it has been nearly 200 years now-the country-squire Englishman and his awesome subject still make a curious match...

Author: /time Magazine | Title: Books: Country-Squire Roman | 12/19/1969 | See Source »

...observed, "it is better he should do so abroad." But whether in search of pleasure, polish, or the splendors of Palladian architecture, young Englishmen, usually with tutors, infested Europe for three centuries. With well-chosen pictures and pungent quotations from travelers (including Diarist John Evelyn, Tobias Smollett and Edward Gibbon), this book gives a remarkably funny and extremely revealing country-by-coun-try account of Albion's impact upon the Continent-and incontinent...

Author: /time Magazine | Title: Books: A Rich Christmas Sampling | 12/5/1969 | See Source »

...California's Governor Ronald Reagan applied a truculently ominous-// extremely loose -interpretation of history to the condition of the U.S. "The young men of Rome began avoiding military service," said Reagan, who tripped up a hit on the distinction between Spengler's Decline of the West and Gibbon's Decline and Fall of the Roman Empire. "[They] took to wearing feminine-like hairdos and garments, until it became difficult to tell the sexes apart. Among the teachers and scholars was a group called the Cynics, who let their hair and beards grow, were slovenly in their dress...

Author: /time Magazine | Title: Nation: Reagan the Historian | 10/31/1969 | See Source »

...immediate juxtaposition of radically differing elements (here Mahler extended Bruckner's simpler process of motto-lyrical oppositions to ironic commentary on all materials), and the greatest lesson of an enormously expanded sonata time-scale. But Mahler could never equal the cerulean and luminous chorale apotheoses of this Edward Gibbon of symphonists. The two men worshipped in different churches, one Gothic, the other a spectral proscenium emblazoned with existential inquiry...

Author: By Chris Rochester, | Title: The Concertgoer Boston Philharmonia at Sanders Sunday evening | 10/29/1969 | See Source »

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