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...human sacrifices, the crops will die. But the writers hope that the larger themes of decline will be a wake-up call. "The parallels between the environmental imbalance and corruption of values that doomed the Maya and what's happening to our own civilization are eerie," says Safinia. Gibson, who insists ideology matters less to him than stories of "penitential hardship" like his Oscar-winning Braveheart, puts it more bluntly: "The fearmongering we depict in this film reminds me a little of President Bush and his guys...

Author: /time Magazine | Title: Exclusive: Mel Gibson's Apocalyto Now | 3/19/2006 | See Source »

...project also fulfills Gibson's need for speed. The hunk who played Mad Max 27 years ago wants to "shake up the stale action-adventure genre," which he feels has been taken hostage by computer-generated imagery (CGI), stock stories and shallow characters. To rattle the cage, he says, "we had to think of something utterly different." The Mad Maya hero in Apocalypto is Jaguar Paw. His escape through the Mexican rain forest will "feel like a car chase that just keeps turning the screws," says Gibson, flashing one of his patented bug-eyed expressions. True to the no-pain...

Author: /time Magazine | Title: Exclusive: Mel Gibson's Apocalyto Now | 3/19/2006 | See Source »

...Gibson is betting the chase will feel even hairier thanks to a new digital camera system, Panavision's Genesis, that yields a "tremendous sensation of velocity," says cinematographer Dean Semler, who won an Oscar for Dances with Wolves. All the doom and zoom sound fun, but the ancient Maya are also called the Greeks of the New World--they invented the concept of zero, built astonishing cities and used a more complex calendar than ours. Gibson insists the glory gets its close-ups too. Says Richard Hansen, a Maya scholar at Idaho State University, head of the Mirador Basin Project...

Author: /time Magazine | Title: Exclusive: Mel Gibson's Apocalyto Now | 3/19/2006 | See Source »

...Italy are painstakingly re-creating feathers of the nearly extinct quetzal for royal headdresses and long, looping earlobe extensions for warriors. (Because those prostheses are difficult to apply, the actors must wear them for days on end, which rather spooks fellow guests at the Fiesta Americana Hotel.) This month Gibson starts filming at a sprawling and meticulously appointed city of Maya pyramids and markets that Sanders' crew spent six months building outside Veracruz. It all suggests a Titanic-size budget, but Gibson will say only that his production company, Icon, is spending less than $50 million. (The Passion cost...

Author: /time Magazine | Title: Exclusive: Mel Gibson's Apocalyto Now | 3/19/2006 | See Source »

Given that controversy hit his last film months before it even finished production, Gibson has been careful to build Mesoamerican goodwill for Apocalypto: two-thirds of the cast and crew are Mexican, and Gibson has donated $1 million to communities in Veracruz state affected by Hurricane Stan last year. Mexican cast members like Mayra Sérbulo, 30, a Zapotec Indian who plays a villager, say they expect some criticism of the film from Mexican nationalists (who also tore into Salma Hayek's Frida), especially since it touches on the raw issue of human sacrifice, which scholars don't believe...

Author: /time Magazine | Title: Exclusive: Mel Gibson's Apocalyto Now | 3/19/2006 | See Source »

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