Word: gibsonized
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...pillar, the agonized trudge up Calvary show what Jesus suffered and why; and James Caviezel's spiky, ferocious, nearly heroic performance is a perfect servant to the role. This is not a movie for all believers - or for all moviegoers. But it is, nonetheless, a believer's movie. Gibson believes in the power of Jesus' message. He believes in the power of cinema to rethink traditions, to make Jesus live in a skeptical age. And those willing to accompany Gibson on his dangerous ride through the Gospels may believe he has created his masterpiece...
...Just between the few of us, I'm written out on the Gibson movie. I did a review in the magazine ("The Goriest Story Ever Told"), which was maybe the only mixed review the film got. And I wrote about some of the attacks on Gibson and his "Passion" ("Holy Hypocrisies") on this web site. In the day since that was posted, I've received more than 150 e-mails, the vast majority of them with subject headings like "Thank you," "Well put," "Bravo," Kudos," "Amen, brother," "Loved the article!" and "wow." Most of the notes cheered me for pointing...
...film, though, has a strange, stately calm, an antidramatic tone that the melodramatic music tries to vivify. The Passion scenes (about 40 mins. of the 2hr.40min. film) lack wallop, especially in comparison to the hammer-on-nail-through-flesh-into wood impact of the Gibson film. The raising of Jesus' cross, a big moment in any Gospel film, is shown from above - a God- or pigeon's-eye view of the crucifixion. Count on the pictorials to keep you awake; watching the movie is like having someone thumb, slooooowly, through a book of religious art history. The film's last...
...allow me to baffle or anger my new flock by getting to today's subject: a simple, informative survey of a dozen or so film biographies of Jesus, noting particularly how their depiction of the Messiah's conviction and death compared with Mel Gibson's. The alleged Messiah is once again hot (in the more attractive sense of that word), and readers may be helped by these scattershot notes on other examples of the genre. All of the films, including "Jesus Christ Vampire Hunter," are available on video and/or DVD from amazon.com...
...Like Gibson, but 92 years before him, Olcott uses a blue filter for the Holy Thursday night scenes in Gethsemane. The Passion section, which consumes the last 14 minutes, has no more juice than the rest of the film. Back then, of course, directors didn't have access to the fake-blood squibs and other effects of today's gore artists. (The blood Mel used was fake, wasn't it?) Remember, too, that in 1912 film was in its infancy; that D.W. Griffith and others were still creating the medium's visual vocabulary and sentence structure; and that, for most...