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...studios have achieved p.r. symbiosis with a newly sanitized New York City, the family-friendly Big Candy Apple--imagine Charles Gibson and Diane Sawyer as hosts of GMA from Times Square's porno paradise of a few years ago--and despite its already jammed sidewalks, the city has welcomed the cameras (the networks provide security to help control crowds). Friedman, who conceived Today's studio when he was its executive producer, even gives the show partial credit for the city's image turnaround, and his successor, Jeff Zucker, calls it "probably the best daily advertisement for the city...

Author: /time Magazine | Title: Television: Living in Glass Houses | 9/13/1999 | See Source »

...Cruise --Glenn Close --Nicole Kidman --Mel Gibson --Robert Downey Jr. --Andie MacDowell --William Hurt --Sigourney Weaver

Author: /time Magazine | Title: Body | 8/30/1999 | See Source »

...cheap. But it's the only way to know what your things are worth on the market. For help in doing that, see Professional Sports Authenticator's website psacard.com or Sportscard Guaranty's website sgccard.com) Now if only they'd help me get back the ball signed by Bob Gibson that's sitting on my son's desk...

Author: /time Magazine | Title: Back in the Game | 8/16/1999 | See Source »

...helped establish her as the gal-pal of choice to such aging screen heroes as Clint Eastwood (In the Line of Fire), Kevin Costner (Tin Cup) and Dustin Hoffman (Outbreak). "There's a sense of ease working with her because she doesn't take herself too seriously," says Mel Gibson, who co-starred with Russo in two Lethal Weapon sequels as well as the kidnapping drama Ransom. Although Russo jokes about her recurring roles as sidekick to mature macho men, she's easygoing enough to divulge her real birthday. Ask most actresses their...

Author: /time Magazine | Title: Cinema: The Lady and the Champs | 8/9/1999 | See Source »

...produced a string of costly flops in the past two years before rebounding in 1999 with such hits as The Matrix, a sci-fi action flick, and the mob comedy Analyze This. The Daly-Semel formula centered on the relationships the two had with stars like Mel Gibson and Clint Eastwood and producers like Joel Silver. The movies were big--Lethal Weapon, Unforgiven--the dollars were bigger, and everyone got a piece of the action, including the studio bosses, who each reportedly earned some $25 million annually...

Author: /time Magazine | Title: Out Of the Pictures | 7/26/1999 | See Source »

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