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Mayors who presided over less fortunate cities had even less to offer their poor constituents, and have suffered accordingly. In 1986, Gary's Hatcher and Newark's Ken Gibson became the first black mayors to fall to challenges from a new generation of black aspirants less interested in national podiums than in the unglamorous day-to-day management of their cities. Many of the new generation of urban leaders, such as Baltimore's Kurt Schmoke, a former prosecutor, have backgrounds in business or the professions. "There is a growing respect for the intractability of urban problems," says analyst Williams. "Some...

Author: /time Magazine | Title: Hope, Not Fear | 9/25/1989 | See Source »

What athlete works in silence? Not baseball players. (Ask Kirk Gibson about his World Series home run.) Not basketball players. (Nobody shut up for Rumeal Robinson's Final Four-winning foul shots.) Not football players (Although the NFL now penalizes crowds that reach three-digit decibel levels, as well as quarterbacks who pretend they can't call signals when the decibel level is only 99.) What's that? No, golfers aren't really athletes. Just look at Craig "The Walrus" Stadler...

Author: By Michael R. Grunwald, | Title: "Quiet, the Bor-meister is Serving" | 9/13/1989 | See Source »

...evening the government fled Paris, former U.S. Ambassador to Belgium Hugh Gibson invited us to a dinner at the Ritz with Clare Boothe Luce and a collaborator of Polish General Vladislav Sikorski. It was incredibly macabre: the city was two-thirds surrounded by German troops, the sky was lit up with artillery fire, and there, at the Ritz, everything was as it had always been: waiters in tails, the food, the wine. The proprietor asked us to sign his guest book. Years later, I learned from Field Marshal Rommel's chief of staff that he and Rommel were the next...

Author: /time Magazine | Title: Remembrance It Was Incredibly Macabre | 9/4/1989 | See Source »

...hear the clockwork sputtering inside the brawny breastplate of this week's heroids: Los Angeles supercop Martin Riggs (Mel Gibson) in Lethal Weapon 2 and Her Majesty's secret servant James Bond (Timothy Dalton) in Licence to Kill. Both men are rogue avengers, out for bloody justice against cartels that have killed or threatened their partners and spouses. Both pictures, with their suavely depraved drug lords and curt disregard for constitutional safeguards, play like extended episodes of Miami Vice. Both scenarios choose their villains from the current list of least favored nations: South Africa in LW2, a thinly disguised Panama...

Author: /time Magazine | Title: Cinema: We Don't Need Another Heroid | 7/24/1989 | See Source »

...stunts, and they do them without Annette." On monitors, TV's Huxtable clan explains how a sitcom is shot, while patriarch Cosby dresses up in various sports uniforms and shouts, "I'm goin' to Disney World!" Beatty explains set design, Lucas and two mechanical friends discuss post-production, Gibson and Herman demonstrate sound editing, Midler stars in a short comedy with lots of sets and stunts. At the end, Eisner and Mickey Mouse invite the audience to watch previews of Disney summer films. Eisner wears a Mickey Mouse watch. Mickey wears a Michael Eisner watch. Everything moves like clockwork...

Author: /time Magazine | Title: Travel: You're Under Arrest! | 5/8/1989 | See Source »

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