Word: gibsonized
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...deep into the new thriller Edge of Darkness. People are dying violently every few minutes; conspiracy theories are sprouting like kudzu. And Mel Gibson, as a Boston cop trying to find his daughter's killers, tells somebody it's the moment of truth. "You had better decide," he says, "whether you're hangin' on the cross or bangin' in the nails." Ouch. It's a reminder that Gibson, the movie star, is also Gibson, the director of the polarizing religious epic The Passion of the Christ, in which his one onscreen appearance showed him driving the first nail into Jesus...
...three decades since Gibson first cruised the postapocalyptic outback as Mad Max, he's forged a wayward career as one of Hollywood's top moneymakers. He fronted a couple of burly action-film franchises (three splendid Mad Max movies; four shoddy, popular Lethal Weapons). Ten of his films earned more than $100 million from 1989 to 2002, back when that was real money. His Scots epic Braveheart won him Oscars for Best Picture and Best Director. That was just Gibson's second film as director; his third, The Passion of the Christ, in 2004, was the all-time top-grossing...
...Dear John's eminence will be more fleeting, but it certainly escaped the ignominious-flop status of the weekend's other wide release, From Paris with Love. That John Travolta spy-action film earned only a quarter of Dear John's take. Another burly espionage melodrama, the Mel Gibson vehicle Edge of Darkness sank over 60% in its second frame. Meanwhile, the male-oriented Legion and The Book of Eli fell into the bottom half of the top 10, behind the frilly Kristen Bell romantic comedy When in Rome...
Warner Bros., which released Edge of Darkness, surely hoped the Gibson movie would do the business of the studio's first 2010 hit, The Book of Eli, the postdoomsday Western starring Denzel Washington, 55. In its third week, Eli has earned nearly $75 million. Instead, Edge looks to approximate the mediocre gross of last year's State of Play, also based on a six-part BBC political thriller, and also starring an Oscar winner (Russell Crowe) in need of a hit. Tip to Hollywood remakers who try synopsizing the madly complex plot of an acclaimed British mini: at least change...
...Gibson and Washington weren't the only veteran movie men fighting for tickets at the wickets. Just out of this weekend's top dozen were two movies starring flinty hero types who made their names in the 1970s. Sixty-seven-year-old Harrison Ford, a.k.a. Han Solo, lent his sullen machismo to Extraordinary Measures, the first theatrical release from CBS Films - but this do-gooder drama had a made-for-TV feel, and after a cruddy opening week, it fell into the abyss, with a $2,575,000 weekend take in 2,549 theaters. The disease-of-the-week movie...