Word: gide
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Dates: during 1980-1989
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...lived by Dashiell Hammett, creator of The Thin Man and The Maltese Falcon. A voracious reader of Henry James, before he switched to the school of hard knocks, Hammett wrote four novels in a single burst of creativity from 1927 to 1930. He found himself hailed by André Gide and André Malraux, and invited to work in Hollywood...
Sorrentino, an avid and adept punster, hits his stride when it comes to creating lists. While in "Nawlins," the birthplace of jazz, two "frenchies" recite for Blue some of the great names of Jazz such as Jimbo Verlaine's Rainmakers, Fats Gide with the Baton Rouge Boys, Valery Conga, Booker Cesaire, Cheech Mauriac with the Femmes Fatales and Peanuts Prevert. Or take the roll call of an academic cocktail party where...
...endless sifting and interpretation. Hermann Hesse judged Kafka's works "an urgent formulation of the question of religious existence." W.H. Auden called Kafka "the author who comes nearest to bearing the same kind of relation to our age as Dante, Shakespeare and Goethe bore to theirs." André Gide did not know what to admire most, "the naturalistic presentation of an imaginary world, or the daring turn to the mysterious." But Edmund Wilson was not ready to admire either: "Kafka is being wildly overdone," he grumbled. "What he has left us is the half-expressed gasp of a self...
...haunting text by Andre Gide the piece tells a variant of the old seasonal myth: In this version, Demeter's daughter sees in a vision the sadness of Pluto's Shades and descends to comfort them. Deceived by Mercury into eating six pomegranate seeds, she is bound forever to the Underworld but then seems another vision the sorrow of Winter brought about by her absence. The poem's reaffirmation of cyclical obligations shines through in the last scene, as Persephone miraculously returned home descends again to Hades to fulfill her eternal responsibilities...
...sure. Its few gestures toward stylization sit a trifle uneasily on Jeanne Jones as Persephone, who looks exactly like a China shepherdess; she also looks a little time like she's watching herself in a minor and her voice errs by a fraction of a timber towards stiffness. But Gide's beautiful words gradually enable her to relax her delivery and precise ensemble work by the nymphs further softens the effects...