Word: gide
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Dates: during 1980-1989
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...trying to kick. My last essay is like my last cigarette." She quit smoking two years ago, but there's still one more essay she plans to turn out, this one about intellectuals and Communism, taking as its point of departure the disillusioning trip that the writer Andre Gide made to the Soviet Union in 1936. And then there's a short book on Japan. And then . . . Well, at least the tube won't be distracting her. The houseguest has departed, and the men have come to retrieve the rented TV. "I did watch a bit of it," she admits...
...composed a long poem about a homosexual murderer, then a novel about a male prostitute, Our Lady of the Flowers (1943). Scandalized, the eminent critic Paul Valery declared, "This must be burned." Others strongly disagreed. In 1948, when Genet faced a life term as a repeat offender, Sartre, Andre Gide, Paul Claudel, Jean Cocteau and other literati circulated a petition protesting the sentence. It won Genet a presidential pardon...
...every era have felt a duty to give foreign literature a new life in another tongue. Goethe, who called this work "one of the most important and valuable concerns in the whole of world affairs," found time to translate literature from ten different languages into German. André Gide argued that every writer "has an obligation to render at least one foreign work of art into his own language." He chose Shakespeare's Antony and Cleopatra, then went on to Hamlet. In America most major modern poets have obeyed Gide's injunction. The result is a vigorous body...
...uncanny ability to discover new writers who went on to achieve permanence and literary prizes, but he also set and maintained the highest standards of design and craftsmanship in book production. His early lists emphasized Russian authors, but he also published Thomas Mann, T.S. Eliot, André Gide, D.H. Lawrence and Franz Kafka, among other eminent Europeans, and such U.S. writers as Willa Gather, H.L. Mencken, John Hersey and Samuel Eliot Morison, and Latin Americans Jorge Amado and Gilberto Freyre...
...molting snake, emerged gleaming, devilish, unrecognizable." The creature that resulted from this metamorphosis was soon to make himself at home in the bed of another of Colette's celebrated characters, Léa, the retired courtesan. Upon reading the final version of Chéri, André Gide wrote the author that he had devoured her short novel "in a single gulp." His verdict: "From beginning to end, not a weakness, not a redundancy, not a commonplace...