Word: gide
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Edouard Vuillard was not a simple painter, and his subtle, qualified vision endeared him to some of the most complex minds in France. "Too fastidious for plain statement, he proceeds by insinuation," André Gide wrote of him in 1905. "There is nothing sentimental or highfalutin about the discreet melancholy which pervades his work. Its dress is that of everyday. It is tender and caressing, and if it were not for the mastery that already marks it, I should call it timid. For all his success, I can sense in Vuillard the charm of anxiety and doubt...
...embroidered in the Yugoslav manner. I assure you, he wears them with majesty." But all desire to be public, to act in front of the camera, is gone. The group of friends and colleagues has dwindled, for Picasso has outlived them. Matisse, Braque, Gris, Léger, Cocteau, Diaghilev, Gide, Apollinaire, Max Jacob, Eluard, Breton, Sabartès, Gertrude Stein-almost all the friends and legendary figures who made the "heroic" years of the French avant-garde and constituted the tribunal against which Picasso could measure himself-are dead. "When I see you," he recently told one friend, Photographer Georges...
...Commissar. Koestler's novel was taken as the expression, and for some, the justification of disillusion and inwardness, a mood then pervasive among Western intellectuals. The God That Failed, a book of essays about leaving the Communist Party, appeared in the same period, numbering among its contributors Andre Gide, Richard Wright, and Ignazio Silone, as well as Koestler. Certainly in America, as well as in France and England, Koestler seemed to speak for those whose repudiation of Stalinism broadened to include a repudiation of the left-wing opposition to Stalin, and ended by repudiating Marxist politics altogether...
Rounding out this volume are Camus' critical essays, including those on Sartre, Ignazio Silone, Melville, Gide and Faulkner, and three interviews that he gave over the years. In one of these interviews, he was asked what compliment most annoyed him. He replied: "Honesty, conscience, humanity-you know, all the modern mouthwasnes." Yet, these qualities best describe the man who struggled so ardently to understand what it was to be simply...
...novelist, the private man loaded down with personal problems that he must defeat-or be defeated by. This is the Baldwin who with his first novel, Go Tell It on the Mountain, marvelously evoked a Harlem boyhood nurtured in a storefront church. It is the Baldwin who, with post-Gide candor, courageously rendered the homosexual experience in his second novel, Giovanni's Room. But this is also the writer who six years ago turned out the deeply disappointing novel, Another Country, a lengthy excursion into the world of bisexuality...