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This French-made film version of an André Gide story, aimed at grown-up audiences, has so much more integrity and artistry than the run of movies that some of its admirers may be blind to its defects. It is superbly performed; talented and beautiful Mlle. Morgan has a chance to bloom again after an arid period in Hollywood. And the story is drawn slowly out of its characters with a patient indirection that piles up considerable emotional power without ever losing its sensitive touch...

Author: /time Magazine | Title: The New Pictures, Nov. 8, 1948 | 11/8/1948 | See Source »

...Reciprocal Curve. It was not Nadelman's academic skill that started all the talk. Right alongside of his classic nudes he was showing other figures geometrically distorted in a way that foreshadowed cubism. Describing them in his Journal, Novelist André Gide wrote that "Nadelman draws with a compass and sculpts by assembling rhomboids. He has discovered that every curve of the human body is accompanied by a reciprocal curve which opposes it and corresponds to it. The harmony which results from these balancings smacks of the theorem." Gide had put his finger on one undeniable weakness of Nadelman...

Author: /time Magazine | Title: Art: Monumental Dolls | 10/18/1948 | See Source »

Hamlet in French. And there was drama. The Scottish Repertory's production of Ane Pleasant Satyre of the Thrie Estaitis, a Scottish morality play written in 1540 and last performed in 1554, was a high point of the festival. There was a production of the André Gide Hamlet. ("A moving experience," reported the New York Times's Dyneley Hussey of the famous soliloquies, though Hamlet in French, played by Jean-Louis Barrault, kept his voice pitched at "a tart oboe rather than the rich clarinet of English.") And for trimmings there was Highland music, bagpipe parades...

Author: /time Magazine | Title: Music: Carnival in Scotland | 9/20/1948 | See Source »

This pessimistic view of contemporary life is even further pointed up by the fact that the other writers in this book deliberately turn their backs on it. André Gide and Noel Devaulx hide their talented heads in reminiscences of life before World War I. Nature-Boys Jean Giono and André Chamson wallow in a woody dreamland of hefty peasants and prime wine. Only Jean Cassou gives an impression of both vitality and veracity. His macabre story is an up-to-date version of Romeo & Juliet, in which Juliet ("a nice, retiring person . . . the sort who hates being conspicuous...

Author: /time Magazine | Title: Books: Gaul in Graveclothes | 7/5/1948 | See Source »

...fact is, these masterpieces of the recent past, placed together in one compact volume, seem extremely uneven. This book contains such material as Eugene O'Neill's Desire Under the Elms, Yeats's The Land of Heart's Desire, excerpts from André Gide's Journals. It contains masterpieces like Ivan Bunin's Gentleman from San Francisco and unfamiliar stories like Roger Martin Du Card's smoldering Confidence Africaine. Examples of the work of writers unknown in the U.S. (e.g., Chilean Poetess Gabriela Mistral and Finnish Novelist Frans Eemil Sillanp...

Author: /time Magazine | Title: Books: Bargain | 6/14/1948 | See Source »

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