Word: gielgud
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Dates: during 1990-1999
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...even that they were more or less ensuring -- if the principle were to be applied fairly -- that most Asian-American actors would have to sit around in limbo and wait for the next production of The Mikado. They were also raising some highly intriguing questions. How can John Gielgud play Prospero when Doug Henning is at hand? Should future Shakespeares -- even future August Wilsons -- stock their plays with middle-class whites so as to have the largest pool of actors from which ( to choose? And next time we stage Moby Dick, will there be cries that the title part...