Word: gielgud
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...running-time was only three hours and a half. He acted, as Shaw advocated, on the lines, rather than between the lines, as the most famous American Hamlet, John Barrymore, was wont to do. (Uncut productions are exceedingly rare. In Britain, Frank Benson did it first, in 1899. Gielgud and Guinness acted the full text in the decade before World War II. New York first saw an uncut Hamlet in 1938, with the much overrated Maurice Evans. And 25 years ago Harvard senior Colgate Salsbury gave us every word in a remarkable Sanders Theater production...
...himself with old grade school playmates. If he grows officious, they bluntly tell him off and he laughs appreciatively. In the evening they would assemble in his room as in a clubhouse, play poker or watch a movie like Arthur and compare each other's impersonations of Sir John Gielgud. "Georgie here is a Cooney-come-lately," Cooney said, introducing George Munch. "Fourth grade. Now Hilly and I, we go back to second grade...
Architecture is an art in the service of the power it houses, and Speer, the upper-middle-class son and grandson of architects, was a smooth courtier. His stern father (John Gielgud) despised the Nazis from the start for their socialism rather than their nationalism, but Albert felt no foreboding at all. This TV movie wonders just what he was capable of feeling. Hauer is a Dutch actor (Soldier of Orange, Nighthawks) with a sharp-featured face that emotion seems never to have touched. Thus he makes a perfect Speer, whom E. Jack Neuman's teleplay depicts...
Director Marvin Chomsky (Roots; Holocaust; My Body, My Child) has usually been willing to sacrifice pace for performance. This time the tempo of fascism has given his film a compelling rhythm, and a company of distinguished actors has lent it an elegant tone. Gielgud is haughtily endearing, a stiff-collared gentleman who speaks in the cadences of Schiller and dreams in the images of Goethe. Robert Vaughn displays a flinty decency as Field Marshal Milch, who probes surgically for Speer's conscience, or at least his common sense. As Hitler, Jacobi spellbinds-first with the ingratiating gifts...
...beginning, Charles' enchantment with Sebastian and the Marchmains' way of life is infectious, and the first several hours of Brideshead are a glorious feast-even better, no doubt, than those served up in Sebastian's rooms at Christ Church college. The acting is scrupulous. Gielgud's scenes with Irons in the Ryder dining room in London are small comic masterpieces of timing and nuance. Olivier's grand scenes come at the end, when Lord Marchmain comes home to die at Brideshead...