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Word: gielgud (lookup in dictionary) (lookup stats)
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Usually when someone makes a movie about The Creation, they cast an august presence like John Gielgud or someone to play the voice of God. But there is no doubt that there was one person born to play Him, and it was Sid Caesar. He hurled and slapped his little universe into its own special order. There was nothing cool about...

Author: By Peter Kaplan, | Title: T.V. | 5/13/1976 | See Source »

...dead now--wouldn't have approved of it so I should stop. I called the guy on the phone, he was English himself and had an accent, and he warned me that I sounded too ruling class, Orwell would have objected. He told me to listen to John Gielgud and told me good luck with a voice that showed he wasn't going to be at the finals...

Author: By Philip Weiss, | Title: Big Game | 4/20/1976 | See Source »

English Professor Daniel Seltzer's classroom antics have made him a character on the Princeton University campus; during lectures, he suddenly breaks into near perfect imitations of Peter Lorre or John Gielgud or a Jewish mother. He can also transform his Shakespeare and modern drama classes into vibrant theater, effortlessly slipping into the role of King Lear, perhaps, or Uncle Vanya. But to the dismay of Seltzer's students, their professor is saving his best dramatic efforts these days for enthusiastic audiences on Broadway...

Author: /time Magazine | Title: Education: The Scholarly Thespian | 4/5/1976 | See Source »

...PRODUCING TEARS AT WILL. My God, I can't. Some of my friends can. Michael Redgrave can. John Gielgud can. John is a dear man but he is a born weeper. When we were all young and attended the theater, we would say, "Don't sit behind John." If the play was at all moving, he would begin to weep. And his tears had a funny habit of squirting off to the rear, so that if you were behind him you would...

Author: /time Magazine | Title: The Theater: Lord of Craft and Valor | 12/29/1975 | See Source »

Richardson can accept the experience of meeting a new person only by pretending his guest is someone he al ready knows, a fellow whose wife he once proudly seduced. Gielgud humors him with a sly expression of disbelief; his viola voice emerges to play, tease, and finally wound in a fumbled attempt at old-boy friendship. Richardson, ever the literary prig, rejects him: "Let us change the subject. For the last time." He commits his soul to his servants, two North London roughnecks with a sheen of airline-steward manners, and slides willingly into no man's land, "which...

Author: /time Magazine | Title: The Theater: Pinter's New World | 5/19/1975 | See Source »

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