Word: gielgud
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There is no hero. The central figure is Basho, the great 17th century Japanese poet. To this role, Nicholas Kepros brings a wry gravity of mien and a musical clarity of line delivery that merits his being called Zen Gielgud. Basho is on a quest for enlightenment, a radiant shaft of wisdom that will have the direct luminous perception of one of his poems...
...Hill which omits the sexual detail. A vast Goldsmith collection. including the first Swedish translations of the Vicar of Wakefield and The Citizen of the World. First editions of Balzac, Stendahl, and Baudelaire. A theatre collection which includes letters of Booth, working scripts of Jean Renoir, letters of John Gielgud, and manuscripts of Shaw. First editions of Appolinaire, Claudel, Camus. Four of Bonhoeffer's manuscripts, written during his imprisonment. Letters of Gorki and Pasternak, of Joyce, O'Casey. Eliot, and Yeats. Working papers of John Updike. A copy of Churchill's Step by Step that John Kennedy owned while...
...hill which omits the sexual detail. A vast Goldsmith collection, including the first Swedish translations of the Vicar of Wakefield and The Citizen of the World. First editions of Balzac, Stendahl, and Baudelaire. A theatre collection which includes letters of Booth, working scripts of Jean Renoir, letters of John Gielgud, and manuscripts of Shaw. first editions of Appolinaire, Claudel, Camus. Four of Bonhoeffer's manuscripts, written during his imprisonment. Letters of Gorkii and Pasternak, of Joyce, O'Casey, Eliot, and Yeats. Working papers of John Updike. A copy of Churchill's Step by Step that John Kennedy owned while...
Forbes-Robertson, Barrymore, Gielgud and Olivier. Last week in a converted London Victorian engine shed called The Round House, Nicol Williamson joined that slim and goodly company at Hamlet's very...
...from Cobb's impressive achievement, the Lincoln Center King Lear is distinguished by a supporting cast that truly supports. A rarity in the past, the players' acting rapport is a tribute to the skill of Director Gerald Freedman. Philip Bosco's Kent is a beautifully modulated performance with a Gielgud-like delivery of the Shakespearean line. Rene Auberjonois as the Fool is a supple mime of wisdom and Stephen Elliott's Gloucester is a man of probity incarnate, woefully abused. Barbette Tweed's Cordelia is appropriately sweet and good; Patricia Elliott as Regan and Marilyn Lightstone as Goneril are properly...