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TINY ALICE. Edward Albee's opaque allegory peddles the fallacy that the pure-in-heart are mortally vulnerable before institutionalized worldliness. The symbols tinkle hollowly, but the theatrical electricity of the play is turned on fully by John Gielgud and Irene Worth...

Author: /time Magazine | Title: Television: Mar. 19, 1965 | 3/19/1965 | See Source »

TINY ALICE. Edward Albee's opaque allegory peddles the fallacy that the pure in heart are mortally vulnerable before institutionalized worldliness. The symbols tinkle hollowly, but the theatricality of the play is electrically charged by John Gielgud and Irene Worth...

Author: /time Magazine | Title: Television: Mar. 12, 1965 | 3/12/1965 | See Source »

TINY ALICE. Everyone's afraid of Alice in Edward Albee's brainteaser, though no one seems to know who she is. John Gielgud and Irene Worth are excellent in the respective roles of a lay brother and the world's richest woman...

Author: /time Magazine | Title: Television: Mar. 5, 1965 | 3/5/1965 | See Source »

THEATER On Broadway TINY ALICE. Everyone's afraid of Alice in Edward Albee's brain teaser, though no one seems to know who she is. John Gielgud and Irene Worth are excellent in the respective roles of a lay brother and the world's richest woman...

Author: /time Magazine | Title: Television: Feb. 26, 1965 | 2/26/1965 | See Source »

...cobbled-street market, a walled village, or a 12th century Romanesque castle: all were within kilometers of his set. Which left most of his rigid $1,000,000 budget for casting, and he could hardly have made it pay better, signing on Jeanne Moreau as Dolly Tearsheet, Sir John Gielgud as Henry IV, and even Margaret Rutherford as Mrs. Quickly. One other area where Welles didn't cut down: gluttony, which left him hospitalized after he gobbled up a middle-sized lamb and washed down four liters of hot wine...

Author: /time Magazine | Title: Movies Abroad: The Reign of Spain | 2/26/1965 | See Source »

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