Word: gielguds
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Dates: during 2000-2009
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...wages of war remains onstage during the final lighthearted scenes, when the King shifts from fighter to lover, as if to mock his charm. The production is vigorous, persuasive, at moments unforgettable, and in Kenneth Branagh, 24, it features a potential heir to the legacy of Olivier, Richardson and Gielgud. Branagh has the animal magnetism of a leading man and the cerebral fire and ice of a character actor. He brings off the hortatory set pieces of command with howling fervor and excels at the gentle comedy of courtship, pouring his heart into the cracked vessel of his schoolboy French...
...learn how Hitchcock manipulates his cameras to make the indelible image of Norman Lloyd appearing to fall from the Statue of Liberty in Saboteur, and that many of the stage actors that worked with him, including Lawrence Olivier, Judith Anderson, and John Gielgud, originally disapproved of his stiff directing methods, but were later grateful for working with him on something so lasting...
...enduring image of John Gielgud is that of a grand and dignified English gentleman. Think of that sonorous, burnished voice, those proud, aristocratic features. Then try and imagine him writing "[The] young men are certainly attractive, and of course they are mad costume and uniform fetishists, so my eye was continually titillated with corduroy, breeches, jackboots, et cetera!" That frisson of conflict between public and private man is part of the irresistible appeal of Gielgud's Letters, published this week. The 800-plus missives, written between 1912 and 1999, reveal a complex, often outrageous, character. Not only is Gielgud open...
...GIELGUD on acting
...died. He knew so many historical figures - George Bernard Shaw, Edith Evans, Orson Welles - it's hard to keep track; one 1952 note alone manages to mention meetings with Charlie Chaplin, Igor Stravinsky and Noël Coward. Editor Richard Mangan has mostly concentrated on the correspondents with whom Gielgud was intimate - including his mother, his onetime lover Paul Anstee, the actress Irene Worth, photographer and designer Cecil Beaton and the playwright Hugh Wheeler. The early part of the volume is dominated by correspondence to his mother (the only family member who figures prominently), and is full of excited career...