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...think of more than two or three people in the whole scene who hadn't been screwed at least once by someone in a hurry to get ahead. Everyone wants to make it. Why shouldn't they? Everyone wants to cut an album, everyone wants to have a gig at the Fillmore and do huge concerts before rapt audiences. It is only the jokers who haven't been around for very long who don't recognize their own self-interestedness, who think that they're just doing their thing. Those who have made it are very careful about preserving their...

Author: By John Leone, | Title: Fading in Rock Phantasmagoria: A Personal Autopsy of the Boston Sound | 1/22/1969 | See Source »

...running his forefinger through his lips. We were practicing harmony in the back seat, Tina, our fashionable black chick singer, John, our Brooks Brothers law school lead guitarist, and me. I was the lead singer of the Bead Game, and we were on our way to our first gig. Our very first gig, and it was a biggie. Somehow it had been arranged htat we, the Street Choir, and the Central Park Zoo were to go to Vogue Magazine and be photographed before an audience of managers, promoters, photographers, recording executives and various underground seedies...

Author: By John Leone, | Title: Fading in Rock Phantasmagoria: A Personal Autopsy of the Boston Sound | 1/22/1969 | See Source »

...only possible way seemed to be to deny that they wanted to make it. All the accoutrements of the hip life in rock were reminders that you were first and foremost a Beautiful Person, with loyalties not to entertainment but to other Beautiful People. We played a gig in Bedford, New York for some society chick, who introduced me after our third set to -- zowie! -- George Plimpton...

Author: By John Leone, | Title: Fading in Rock Phantasmagoria: A Personal Autopsy of the Boston Sound | 1/22/1969 | See Source »

There was absolutely no doubt; this promised to be the bossest hour of television in a very long time. Cherry, man. Cool. Like his guitar-man said, "What a gig...

Author: By John Leone, | Title: The King Revealed | 12/5/1968 | See Source »

DRIVING BACK to the hotel after the gig Rod Stewart is hoarse and happy. "You have to jump around like I do to get the kids jumping too. Look at the other group they just stood there. They were playing too complicated, too static, very difficult to get that off the ground." He turned to Waller "I really like it when you tap on the snare and do the tom-tom at the same time. Its really deep you know what I mean." Again the bewitching London accent...

Author: By Salahuddin I. Imam, | Title: The Jeff Beck Group | 7/5/1968 | See Source »

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