Word: giggenbach
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...tangled story with all the brio of Brecht on a sunny day; his style is comic, ironic, daringly distanced. The girlhood scenes are played for easygoing farce and shot in black and white. Then the film bursts into snapshot color when Sonja falls in love with her teacher (Robert Giggenbach). Her hometown's streets and churches are stylized back projections. The Nasty Girl moves like an eccentric dancer, ever shifting its pace and mood, never losing its poise...
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