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...sensitive and conscientious movie about life in a girls' school, with muted undertones of Lesbianism. In psychological understanding, it is superior to the famous picture with a similar theme, Madchen in Uniform (1931); and in the use of movie means to complex ends, Directress Jacqueline Audry (Gigi) almost equals, in some passages, the achievement of the great German horror story...

Author: /time Magazine | Title: Cinema: New Picture, may 3, 1954 | 5/3/1954 | See Source »

...Just as Audrey stepped into the rays of the klieg lights in the lobby to run through her brief scene as a honeymooning bride, the door swung open and in rolled an old lady in a wheelchair. It was famed French Novelist Colette, one of whose many bestselling novels, Gigi, had just been dramatized in English by Anita (Gentlemen Prefer Blondes) Loos. Colette held up an imperious finger to halt the wheelchair as Audrey did her bit before the camera. Then she turned to her husband. "Voila," she whispered, indicating Audrey, "there's your Gigi...

Author: /time Magazine | Title: Cinema: Princess Apparent | 9/7/1953 | See Source »

...November 1951, Audrey opened at Manhattan's Fulton Theater in the title role of Gilbert Miller's production of Gigi, a sophisticated Gallic story of a 16-year-old French tomboy who dreams of bourgeois marriage while her female relatives train her to become a rich man's mistress. Next day the New York Times's Critic Brooks Atkinson wrote: "Miss Hepburn is the one fresh element in the performance. She is an actress; and, as Gigi, she develops a full-length character from artless gaucheries in the first act to a stirring emotional climax...

Author: /time Magazine | Title: Cinema: Princess Apparent | 9/7/1953 | See Source »

...Gigi's grandmother, Josephine Brown dominates the rest of the cast, but Margaret Bannerman is properly imperious as a retired mistress of kings. To the role of Gigi's mother, a frustrated Lakme in whom champagne brings out the Bell Song, Doris Patston contributes a giddy charm and a hefty coloratura. Michael Evans is too flamboyant as the roue snared by innocence, but Bertha Belmore's comic maid is the most accomplished scene stealer on the current stage...

Author: By R.e. Oldenburg, | Title: Gigi | 2/27/1953 | See Source »

With Miss Hepburn, a Gallic air, and rather determined effervescence, Gigi is an engaging play. But don't glance at your program; one of the scenes might dash by in the meantime...

Author: By R.e. Oldenburg, | Title: Gigi | 2/27/1953 | See Source »

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