Word: gigolos
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Dates: during 1970-1979
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Strange Brew Coffeehouse--Hilles Penthouse at 8 Chris Smither and Kevin Roth--Passim at 8:30 Molly Malone--Back Room at the Idler at 9 Chuck McDermott and Wheatstraw--Jonathan Swift's at 9 Foxfire--Springfield Street Saloon at 9 Gigolo, Sue Gordan and Company Coming--Sword-in-the-Stone at 9 FSSGB Group Sing--Interfaith Building...
...doctor aboard, has been encouraged to dye his hair white-blond. And why Sophia Loren, as Harris' estranged wife, is working in a gray make up that makes her look plagued even before the dis ease breaks out. Or why poor Martin Sheen, cast as Ava Gardner's creepy gigolo, undergoes such unmotivated regeneration in crisis. And why OJ. Simpson is required to run around in a priest's collar and talk in an imbecilic simper. Doubtless the hero sympathizes with Lee Strasberg, who appears to be so affronted by his dialogue that he whispers all of it in virtually...
Rodgers and Hart's 1940 show Pal Joey about a handsome rodent of a gigolo was their best work and one of the greatest scores written for the theater--witty, melodic and cynical. It's never revived. Oklahoma!, Rodgers and Hammerstein's first collaboration has been done (one would bet) in most high-school auditoriums, gymnasiums and summer-stock tents in America. It's been done by Guy Lombardo on water and by Fred Zinnemann in Cinemascope. On any given night, its score can be heard in a solid minority of the nation's shower stalls. I myself appeared...
...says Stephanie to her gay gigolo, "creates an alternate reality, maybe my pen can be my penis, my vengeance for not being a man, how do you like that schnookums?" "Not much," seems the only possible response. It's too bad that Gray did not choose another way of creating an alternate reality. Her journalistic work on a variety of subjects is impressively lucid, but none of her admirable talent for making complex things clear has spilled over into her novelistic technique. Lovers and Tyrants is a first novel, a fact that may excuse a great deal...
...Just a Gigolo. This old woman has come to Paris for a last visit with her favorite son (Joseph Maher). As a boy, he used to idle away hours in the trees. As a man, he has idled away his life as a compulsive gambler and is now a gigolo in a nightclub. The woman he lives with is the club hustler (Suzanne Lederer). The conversational pas de trois that these three engage in is replete with bitterness and non-sequitur absurdist humor. The performers are also forced to carry an elephantine load of symbolism...