Word: gigolos
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Dates: during 2000-2009
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...wore off that hippies remembered the arduousness of walking on a beach.) Next came Dr. Scholl's exercise sandals, wood-soled slip-ons that promised to tone calf muscles. Gravity boots became the yuppie home-fitness system de rigueur after Richard Gere dangled from an exercise bar in American Gigolo. In the late '80s teenagers trying to make the basketball team were bounding to school in Strength Shoes guaranteed to boost their dunk shots. Now, inventor Roger Adams is hoping Heelys, a trainer with a detachable wheel in the heel, will precipitate the newest skating fad. (Notebook recommends them only...
...bigger-than-life villains." In 1967, The Graduate, with its Simon and Garfunkel songs, showed him how to wed pop movies with pop music. In 1970, after a brief career in advertising, Bruckheimer moved to Hollywood. As a fledgling producer, he put Blondie on the sound track of American Gigolo. He chose country music singer Faith Hill for Pearl Harbor because "it's an all-American movie, and she's an all-American artist...
...human, and in the sweetest way. All right, it's because man--playing God, playing tricks--programmed him to love, even as other film robots, like the Terminator, are designed to destroy. In the A.I. world, robots are made to give pleasure and, in David's case, offer joy. Gigolo Joe is a sex machine, David a love machine. The toy boy's sole purpose is to give and elicit affection. His obsession (in Kubrick's terms) or dream (in Spielberg's) requires him to do everything to achieve Monica's love--after she renounces him, after she abandons...
...unfortunate accidents persuade Monica to abandon David in a forest. Quick as a face slap, David and the audience are in a strange new world containing refugee robots with half-faces and a jaunty "love mecha" named Gigolo Joe (Law). In Kubrick's script, says Law, "Joe was much more aggressive, more twisted." Here he is, in Spielberg's word, David's "scoutmaster." (This was the section Kubrick could not solve and which Spielberg, in developing it, has softened. The Kubrick version would have been rated R; this film...
...human, and in the sweetest way. All right, it's because man--playing God, playing tricks--programmed him to love, even as other film robots, like the Terminator, are designed to destroy. In the A.I. world, robots are made to give pleasure and, in David's case, offer joy. Gigolo Joe is a sex machine, David a love machine. The toy boy's sole purpose is to give and elicit affection. His obsession (in Kubrick's terms) or dream (in Spielberg's) requires him to do everything to achieve Monica's love--after she renounces him, after she abandons...