Word: gigolos
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...Broccoli, Doctor No has just opened in London and is scheduled for release in the U.S. early next year. To Fleming fans, the dark hood looks of Scottish Actor Sean Connery were somewhat disturbing; they do not suggest Fleming's tasteful pagan so much as a used-up gigolo. Bond would never speak with a cigarette dangling from his urbane lips, for instance. But his lines are not contra-Bond: "It would be a shame to waste that Dom Perignon '55 by hitting me with it," says Doctor No. "I prefer '53," retorts Bond. And the producers...
...people. But the picture belongs to Actress Page, who starred with Newman in the Broadway play. She swirls to the girls' room as if to a coronation, she cuddles her oxygen mask as a normal woman might cuddle a newborn babe, she dimples in maidenly dither at her gigolo's advances, she proceeds a moment later with hard-nosed efficiency to collect what she has paid for. She is a mascaraed monument to the era of the superstar, a veritable muse of publicity...
...picture starts out as a naughty, nutty boudoir farce. The lover it celebrates (Jean-Pierre Cassel) is a gay young gigolo whose rich mistress (Micheline Presle) keeps him comfortable but also keeps him busy. Even so, the lover has enough libido left for a chic chick (Jean Seberg), and for several reels the tandem romance rackets merrily along. Neither mistress knows he has the other; he on the other hand is blithely unaware that both attend the same hen parties...
...magazine, not transition but Booster, and danced not the Charleston but a fandango along the gutters, in the brothels, bistros and mansards of Montparnasse. In telling about it all. he establishes the hardly original thesis that being broke is very hard work and that panhandling-working as cut-rate gigolo, or becoming valet-pimp to a parsimonious Parsee-can involve more shame and chicanery than the whole career of a Babbitt or a Cash McCall...
...blame it on me, the very center around which the whole universe revolves." Topsy-turvily, compassion is extended to the evildoer rather than to his victims. Thus the recent U.S. scene has offered the spectacle of "The Martyr as Manly Rapist" (Caryl Chessman), "The Martyr as High-Minded Gigolo" (Chance Wayne in Sweet Bird of Youth), and "The Martyr as Put-Upon Professor" (Charles Van Doren, self-proclaimed victim of the TV quiz riggings). The ultimate in 20th century "compassion" is to declare God irresponsible. In a Jules Feiffer cartoon a kindly chap standing on a stool concludes his monologue...