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...biggest Hollywood business about the Dodgers was the comeback of veterans who had not starred since the glory days in Brooklyn. First Baseman Gil Hodges, 35, was again tough in the clutch (79 runs-batted-in), despite a taped ankle and forearm. Although he often rode the bench when southpaws began to throw. Outfielder Duke Snider, 33, had once again found his home-run bat (23). The Dodgers were even getting mileage out of gimpy Carl Furillo, 37, who explained: "I look at the ball, and I see dollar signs instead of stitches...

Author: /time Magazine | Title: Sport: Made in Hollywood | 10/5/1959 | See Source »

...Gil Hodges, in custody of first-"He'll do it by himself." Now a specialist versed

Author: /time Magazine | Title: Books: Major Poet, Minor Verse | 9/21/1959 | See Source »

...base in more than 95% of the games he has started. At 32, Outfielder Duke Sniders hair is grey, but his steel-blue eyes are as sharp as ever, his gimpy knee is responding to cortisone treatments, and his average is up to .323. At 35, ham-handed Gil Hodges had hit 19 homers and driven in 62 runs when he was forced out of the line-up last month with a wrenched ankle. But Hodges is expected back in time to help the Dodgers as the three-way pennant fight swirls to a finish...

Author: /time Magazine | Title: Sport: Season in the Sun | 8/24/1959 | See Source »

...Drysdale (13-6) is the ace of a slick young pitching staff, and Third Baseman Jim Gilliam (.318) always seems to be on base. But the biggest man of all in the Dodger infield is that old pro-and beloved Brook-lynite-First Baseman Gil Hodges, 35, who can still field like a vacuum cleaner and at .293 put the ball game away with his bat. Last week in the first game against the Giants, he slammed a two-run homer; in the second, he slapped a game-winning double. Later, against the Chicago Cubs, Hodges daringly advanced from first...

Author: /time Magazine | Title: Sport: Charge! | 8/3/1959 | See Source »

Among no-words, all-jazz editions, Guitarist Mundell Lowe and a seven-man group are effective in a Camden album that has the musicians swinging in long, limber lines of nicely muted sound. The most imaginative Porgy is supplied by Trumpeter Miles Davis on a Columbia LP arranged by Gil Evans; in this case the Gershwin themes serve only as a departure point, usually for attenuated Davis solo nights...

Author: /time Magazine | Title: Music: Here Come de Honey Man | 6/22/1959 | See Source »

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