Word: gilbert
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Dates: during 1930-1939
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...belief, old people are far from sexless. The flow of sex hormones does not ebb when men reach their 60s and 70s. Says Columbia's Anatomist Earl Theron Engle, spermatozoa are formed in at least 50% of old men. Bending a Freudian ear to their querulous complaints, Psychiatrist Gilbert Van Tassel Hamilton of Santa Barbara, Calif, offers the opinion that old men & women are no less troubled by sex problems than are the young. Says he: "Many persons . . . who have passed their sixtieth year vaguely feel that it is time they were done with sex as a personal issue...
...Mikado (Gilbert & Sullivan Films). The year 1939 is the biggest season Gilbert & Sullivan ever had. Hot on the heels of Broadway's three Mikados-one hallmarked, one half-swing and one pure Harlem-comes the first Mikado in cinema. Made in England's Pinewood Studios last year by Director Victor Schertzinger and a quorum of first-string members of London's famed D'Oyly1"Carte Company, the screen version of the world's most famed operetta is a full-length, Technicolor facsimile of the original...
...Schertzinger Mikado, adapted by Conductor Geoffrey Toye, contains no word that Gilbert, no note that Sullivan, did not write. A few omissions include the duet between Katisha and Ko-Ko, There is beauty in the bellow of the blast and Ko-Ko's song I've got a little list. Sets are far handsomer than any ever seen on the Savoyard stage. Sound recording is approximately perfect. On close inspection, cinemaddicts will note that the Mikado's story conforms strictly to Boy-Meets-Girl pattern; and that Gilbert & Sullivan have not yet been topped...
...better medium for opera than the stage. Composer of the music for The Love Parade (1929), Schertzinger started his campaign to bring opera to the screen when he had Grace Moore trill in One Night of Love, thus setting the fashion for innumerable musical films. Since all works of Gilbert & Sullivan (except The Pirates of Penzance) are in the public domain in the U. S., he could easily have produced The Mikado in Hollywood without paying royalties to the D'Oyly Carte Company, which owns the English rights. Instead, he went abroad to collaborate with Producer Toye...
...Mikado. Rousing hotcha with snatches of Gilbert & Sullivan (TIME, April...