Word: gildas
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Dates: during 1970-1979
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...seems to be nothing but climaxes. But Verdi and Librettist Arrigo Boito knew that after the massive choral scene in Act III, enough was enough. Hence the rightness of the subdued, wistfully melancholy fourth act, a sort of spacious postlude. This act is Desdemona's great moment. Soprano Gilda Cruz-Romo made the most of it, although in the earlier acts her singing had somewhat lacked color and shading. Poignant and dignified, she spun out the Willow Song and Desdemona's final prayer in long, crystalline legates...
...happier developments on NBC's Saturday Night Live this past season was the unleashing of Bill Murray. A latecomer to the Not Ready for Prime Time Players, Murray had broken into the show by serving as unofficial second banana to the stars, John Belushi, Dan Ackroyd and Gilda Radner. When he finally seized centerstage, he stopped being a straight man and became a live -or maybe frazzled-wire. Murray is a master of comic insincerity. He speaks in italics and tries to raise the put-on into an art form. His routine resembles Steve Martin's, with...
Other choices the group considered were Isaac Asimov, Dan Aykroyd, John Belushi, Bill Bradley, George Carlin, Chevy Chase, Walter Cronkite, John Finley '25, Jane Fonda, Diane Keaton, Sen. Edward M. Kennedy (D-Mass.) '54, Steve Martin, Gilda Radner, Bonnie Raitt, Christopher Reeve and John Updike, McLoughlin said...
...Sweetums, who is about 9 ft. tall and covered with a three-day growth of brownish shag, and Thog, who is a good deal bigger and still growing, lend chaos to the goings-on but don't say much. Other apparitions, such as the 7-ft. carrot with whom Gilda Radner of Saturday Night Live sang a duet from Gilbert and Sullivan, fit messily into miscellaneous...
...January 1973, when the magazine's cover photo of a puppy with a gun to its head was accompanied by the headline, IF YOU DON'T BUY THIS MAGAZINE, WE'LL KILL THIS DOG. Off-Broadway audiences recall The National Lampoon Show of 1975, in which Gilda Radner playing Patty Hearst machine-gunned Steven Weed. Lampoon writers routinely savage Kennedys, Nixons, Third World peasants and American capitalists. No one, alive or dead, is sacred. The Lampoon's last issue included a fictional letter to the editor in which "Larry Flynt" referred to himself as "the George...