Word: gildas
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...sensation to be searching for comic relief in a comedy. But certain smoggy patches of Lunch Hour do tend to induce that quest. Possibly the two funniest moments in Act I are Gilda Radner sparring with a spilled pot of coffee and juggling a scalding-hot spoon, and Sam Waterston watching the page proofs of his upcoming book unreel inexorably into a goldfish tank. All of which goes to prove that Director Mike Nichols is still a playwright's best friend...
...Says she: "He was a terrible actor then-we laugh about it now-and totally charming." Dougherty also turned up Al Pacino and Dustin Hoffman. Stalmaster's finds include Jon Voight (four lines in Hour of the Gun), James Caan (a silent reaction in Irma La Douce) and Gilda Radner (an other silent bit in The Last Detail...
Walter and Barbara and Dan and John were all televisibly on the scene. But where, wondered fans of NBC's Saturday Night Live, was that mistress of digression, Rosanne Rosanna-Dana? "Rosanne won't be covering the convention this year, perhaps in '84," said Gilda Radner at a fund raiser for Manhattan Democratic Congressional Candidate Mark Green. As soon as she popped out of the elevator atop the Empire State Building, she was set upon by a swarm of would-be Woodsteins under age 14 reporting for Children's Express. Well, as Rosanne might have known...
...seems to be nothing but climaxes. But Verdi and Librettist Arrigo Boito knew that after the massive choral scene in Act III, enough was enough. Hence the rightness of the subdued, wistfully melancholy fourth act, a sort of spacious postlude. This act is Desdemona's great moment. Soprano Gilda Cruz-Romo made the most of it, although in the earlier acts her singing had somewhat lacked color and shading. Poignant and dignified, she spun out the Willow Song and Desdemona's final prayer in long, crystalline legates...
...happier developments on NBC's Saturday Night Live this past season was the unleashing of Bill Murray. A latecomer to the Not Ready for Prime Time Players, Murray had broken into the show by serving as unofficial second banana to the stars, John Belushi, Dan Ackroyd and Gilda Radner. When he finally seized centerstage, he stopped being a straight man and became a live -or maybe frazzled-wire. Murray is a master of comic insincerity. He speaks in italics and tries to raise the put-on into an art form. His routine resembles Steve Martin's, with...