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...think sex in a movie is boring," Nichols says, "just as a scene of someone eating dinner is not that interesting." His favorite sex scenes tend to the suggestive: Rita Hayworth shaking off a glove in Gilda; Catherine Deneuve, in Repulsion, listening as her sister has sex in the next room. Anything more explicit is, to Nichols, just clinical. "Sex is very powerful as part of a fantasy, part of what glues you to someone, part of what makes life with one person the great adventure. But to stare directly at it is to be wasting most of what...

Author: /time Magazine | Title: Movies: Let's Talk About Sex | 11/29/2004 | See Source »

...think sex in a movie is boring," Nichols says, "just as a scene of someone eating dinner is not that interesting" His own favorite sex scenes tend to the suggestive. "Rita Hayworth shaking off that long glove in 'Gilda' is still as sexy as it gets in movies. The (famous) scene in 'Basic Instinct,' of Sharon Stone crossing and uncrossing her legs, is very sexy and very funny, primarily because it's about control and power. To me the sexiest thing I've ever seen is in 'Repulsion,' when Catherine Deneuve is lying on the bed and her sister...

Author: /time Magazine | Title: Whatever Happened to Movie Sex? | 11/24/2004 | See Source »

Charlize Theron, in a starkly contrasting follow-up to her role in Monster, embodies this second kind of idealism as Gilda Bessé. Gilda is the kind of clichéd wise-cracking beauty that can only exist in movies: she’s bold, intelligent, entirely immodest and incredibly provocative. Her only fault, as far as her love interest Guy (Stuart Townsend) can see, is that she lives “in a cocoon” and completely ignores the caustic contemporary politics that consume his passions; she doesn’t care about anything or anyone beyond herself...

Author: NO WRITER ATTRIBUTED | Title: HAPPENING | 10/1/2004 | See Source »

...most fronts. In addition to having fairly poor production value—the bulk of the “stunning” Parisian backdrops are clearly matte paintings—the movie’s three primary characters never achieve humanity; they start out as and remain types. Gilda is the extroverted and rambunctious bohemian socialite, Guy is the wide-eyed British schoolboy with a conscience, and Mia is the long-suffering martyr who has made it through the school of hard knocks and is turning around to take another long lap. Even real-life lovebirds Theron and Townsend fail...

Author: NO WRITER ATTRIBUTED | Title: HAPPENING | 10/1/2004 | See Source »

...candidates is, Do you court black voters by emphasizing "black issues," or do you treat them like all other voters? The answer is both--especially in the South, where black voters can be more conservative on social policy. "The only important color in this country anymore is green," says Gilda Cobb-Hunter, a social worker and state representative from rural Orangeburg, S.C. "Black people have the same worries that white people do: Will I have a job, will my kids go to a decent school, and can I afford to get sick?" But in South Carolina, where the median income...

Author: /time Magazine | Title: Campaign '04: Beyond The Pulpit | 2/2/2004 | See Source »

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