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Word: gildea (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Walsh said the B.U. decision to make the meet a short course competition contributed to the Harvard loss. Indications of the Crimson's strength in longer races showed up in the Maureen Gildea-Terri Frick-Dove Scherr sweep of the 500-yd. free, and the Frick-Gildea finish in the 200-yd. freestyle...

Author: By Mark H. Doctoroff, | Title: Terrier Aquawomen Sink Women's Swimming, 75-65 | 11/29/1979 | See Source »

...Maureen Gildea, a freshman from Long Beach, Calif., should pace the Crimson in distance freestyle events, while Walsh is depending on Janie Smith, also a yardling, to carry the team in freestyle sprints. Senior Co-captain Jane Fayer, returning this year after missing all of last season with a separated shoulder, should provide additional strength in the sprints...

Author: By Mark H. Doctoroff, | Title: Swimmers Face New Season | 11/28/1979 | See Source »

Several of the freshmen are Senior National AAU qualifiers, and Barton, Gildea, and McCloskey plan to use the season to prepare for June's Olympic Trials...

Author: By Mark H. Doctoroff, | Title: Swimmers Face New Season | 11/28/1979 | See Source »

...41st group of Niemans is: Sidney M. Cassese, assistant editor of Newsday; Nancy L. Day, regional editor of the San Francisco Examiner; Margaret A. Engel, government reporter for the Des Moines Register; William J. Gildea, reporter for The Washington Post; Katherine A. Harting, associate producer of ABC-TV News in Washington, D.C.; John C. Huff, city editor of The Greenville News; H. Victor Lewis, acting national editor of The Boston Globe; Robert M. Porterfield, reporter for the Anchorage Daily News; Peggy A. Simpson, congressional correspondent for the Associated Press; Frank A. Van Riper, Washington bureau correspondent for the New York...

Author: By George K. Sweetnam, | Title: Corporation Names Eleven Journalists As Nieman Fellows | 6/8/1978 | See Source »

...whom Adams would have expected to keep the icon hanging straight, are coping--by varnishing the Dynamo with super-realism. Warhol handles mass-production by redistributing the colors of soup cans. Rauschenberg sublimates industrial waste by pasting it together, taking it up off the floor onto the walls. Steve Gildea, a photo-realist painter, places a grid on photographs, another grid on the surfaces to be painted, and then copies square by square...

Author: By Tom Blanton, | Title: Short and Sweet | 10/16/1975 | See Source »

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