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...FUNNY THING HAPPENED ON THE WAY TO THE FORUM. Broadway's best burlesque show has been hurled at the screen like a custard pie; but despite Director Richard Lester's extravagant cinematics, Top Bananas Zero Mostel, Phil Silvers, Jack Gilford and Buster Keaton keep 'em laughing at the good and bawd goings on in Nero's Rome...

Author: /time Magazine | Title: Television: Nov. 18, 1966 | 11/18/1966 | See Source »

...FORUM. Even though Director Richard Lester (A Hard Day's Night, The Knack) tries hard, he cannot spoil all of the fun in this hilarious burlesque based on the plays of Plautus. The funniest things happen to Zero Mostel, Phil Silvers and Jack Gilford, playing Pseudolus, Lycus and Hysterium, three dirty old men in dirty old Rome...

Author: /time Magazine | Title: Television: Nov. 11, 1966 | 11/11/1966 | See Source »

...FORUM. Even though Director Richard Lester (A Hard Day's Night, The Knack) tries hard, he cannot spoil all of the fun in this hilarious burlesque based on the plays of Plautus. The funniest things happen to Zero Mostel, Phil Silvers and Jack Gilford, playing Pseudolus, Lycus and Hysterium, three dirty old men in dirty old Rome...

Author: /time Magazine | Title: Television: Nov. 4, 1966 | 11/4/1966 | See Source »

...movie has all these things and plenty more. It has Color by Deluxe, some charmingly scummy urbs and suburbs, a hilarious "sitdown orgy for 40," and a bunch of top bananas: Phil Silvers cast as a pious pimp who combines worship and whoreship, Jack Gilford playing a collector of "erotic pottery," the late Buster Keaton doing a deadpan dad with a somewhat unusual problem: "My daughter is a eunuch...

Author: /time Magazine | Title: Cinema: Erotic Errors | 10/28/1966 | See Source »

...something works do we get an idea of what Cabaret was meant to be. Joel Gray, as the master of ceremonies, does a brilliant love song with a female gorilla, titled "If You Could See Her Through My Eyes." The obvious parallel to Miss Lenya's relationship with Mr. Gilford gives the song a relevance all the other cabaret numbers lack. A song of popular unrest, "Tomorrow Belongs to Me," is later twisted into a grotesque Nazi rallying cry, and the meaning is again clear...

Author: By James Lardner, | Title: Cabaret | 10/27/1966 | See Source »

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