Word: gilliams
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ALTHOUGH it's considered a solo effort, Eric Idle's 1981 play Pass the Butler, like Terry Gilliam's Brazil, was written much in the chaotic spirit of Monty Python. The trouble is any devoted Python fan would much rather see John Cleese, Graham Chapman and the other Python wankers in the roles than any other actors. This Dunster House production comes a close second, providing a sprightly, energetic, and funny night of entertainment...
...have come in on one bounce. Jerry Tarkanian, a coach who looks like an all-night poker game, is the best rebounder in college basketball. At the moment, five of his first seven players are junior-college transfers. Three of the starters, including Star Forward Armon ("the Hammer") Gilliam, had no other scholarship offers at all. They are merely the top-ranked team in the nation...
While several statuesque thyroid cases share the Las Vegas pivot, the team is fundamentally centered if not completely built upon the solid 6-ft. 9-in. soft shooter and rugged rebounder Gilliam. A high school wrestler from Pittsburgh, he toyed with the notion of playing football at Clemson and embraced basketball last. "When you mention Las Vegas, people think of glitter," Gilliam says, "but glitter wears...
That Martin Scorcese's After Hours did not garner even one of the big awards is entirely inexplicable. Easily the most original film of the year (with the possible exception of Terry Gilliam's Brazil or The Kiss of the Spiderwoman), this black comedy chronicling the adventures of Yuppie Everyman Griffin Dunne as he tries to extract himself from a darkened SoHo should have been a shoe-in for nominations in the Best Director, Best Actor and Best Actress category. What happened? Were all the members of the Academy sick the night that this film was screened...
Still, moviemakers have to consider moviemaking the big time--profit with honor. And in films, if not in TV, caution breeds entropy. Charges Terry Gilliam, whose Brazil is one of 1985's few demanding films to escape from the studios: "People in Hollywood are not showmen, they're maintenance men, pandering to what they think their audiences want. And so audience expectations become more simplistic. Movies have no surprises, no fizz." Right: new Hollywood is new Coke with the cap left...