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...deserves to. For director Gillian Armstrong (My Brilliant Career) and writer Robin Swicord have fashioned an entrancing film from this distinctly unfashionable classic. They do not so much dramatize the passage of the four March sisters from girlhood to womanhood as let it unfold. Over the years the sisters must cope with a father's absence (when he's not off fighting in America's Civil War, he's lost in philosophical musings), a mother's bustling idealism, romances appropriate and inappropriate, the constant threat of poverty and illness. Eventually Jo (the luminous Winona Ryder) embraces art and an older...

Author: /time Magazine | Title: TRANSCENDENTAL MEDITATION | 2/13/1995 | See Source »

These are old-fashioned virtues. Indeed, without Ryder the movies might have forgotten them. And that is why Hollywood has virtually ceded the 19th century to her. In Bram Stoker's Dracula, in The Age of Innocence and now in director Gillian Armstrong's stately, shimmering version of Little Women, Ryder must translate for a modern audience the purity and confusions of a time when a first kiss was the climax to an adventure and goodness was a goal worth fighting...

Author: /time Magazine | Title: CINEMA: Take a Bow, Winona | 1/9/1995 | See Source »

...March sisters navigate the passage from girlhood to womanhood with grace, spirit and infinite appeal in Gillian Armstrong's passionate realization of the 19th century children's classic. Winona Ryder leads an entrancing cast in a family film that interrupts our pious pratings about "family values" to say something truthful and unsentimental on the subject...

Author: /time Magazine | Title: The Best Cinema of 1994 | 12/26/1994 | See Source »

...deserves to. For director Gillian Armstrong and writer Robin Swicord have fashioned an entrancing film from this distinctly unfashionable classic. They do not so much dramatize the passage of the four March sisters from girlhood to womanhood as let it unfold. Over the years the sisters must cope with a father's absence (when he's not off fighting the Civil War, he's lost in philosophical musings), a mother's bustling idealism, romances appropriate and inappropriate, the constant threat of poverty and illness. Eventually Jo (the luminous Winona Ryder) embraces art and an older man (Gabriel Byrne); Meg (Trini...

Author: /time Magazine | Title: CINEMA: Transcendental Meditation | 12/19/1994 | See Source »

...that Raul is taking the lead on economic policy, "he is once again a serious political player," says Gillian Gunn, head of Georgetown University's Cuba Project. Raul personally replaced half the Communist Party's first secretaries in the provinces this summer with young, pro-army party men. "To the average Cuban it looks like Raul has taken over, with Fidel held for special occasions, public relations and international events," says a party member. Some political analysts in Havana even talk of Fidel becoming a figurehead and letting others carry out reforms the staunch communist finds repugnant. Of course, with...

Author: /time Magazine | Title: Raul Castro: Fidel's Brother Sets Up Shop | 11/14/1994 | See Source »

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