Word: gilmartin
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Dates: during 1980-1989
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...Atienza is particularly laudable as a cleanly spoken Worcester, though he overacts the Welsh rebel Glendower (who has parody built into him and does not need any more superimposed). And Karen Stott gives pleasure through Lady Mortimer's prescribed song (with a real on-stage harp accompaniment by Sophie Gilmartin), though her Doll Tearsheet, as I indicated, belongs in the sequent play, which I wish Coe would offer us complete before long...