Word: gilmoreã
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...Opera works well enough on its own, which actually might in the end be healthier than forcing a particular production vision beyond its natural limits. Marjorie Owens’s stately, poised Ariadne provides a well-measured foil to Gilmore??s sprightly, impish Zerbinetta. The opera is, in effect, a showcase for the two very different types of sopranos—dramatic and coloratura—and each takes full advantage of the opportunity to have fun. Owens’s sturdy, firmly rooted rendition of the aria “Es gibt ein Reich?...
...Ambrose (as her free-spirited sister Coco). It had an interesting premise: Sarah, who wants a child and can’t get pregnant, enlists Coco to be a surrogate mother; hilarity, of course, ensues. It even had such talents as Dianne Wiest and Scott Cohen (“Gilmore??’s Max Medina) in supporting roles. If this is the kind of setup that gets dumped after a measly three episodes, I don’t know how anyone gets up the gumption to write situation comedy in the first place.“Jezebel...
...sounds vacuous, like a half-hearted attempt to recall the quiet beauty of “I’ll Be Yr Bird” on 2005’s “Transistor Radio.” Another boisterous cover, this time of country crooner Jimmie Dale Gilmore??s “Headed for a Fall,” closes the album. While it’s fun to hear Ward belt it out with a host of guest musicians, again including Case, the song sounds just enough like the Traveling Wilburys covering a TV theme song...
...Holy Cross head coach Tom Gilmore was nothing short of effusive in his praise for Dawson before and after the game, saying in the days leading up to the contest that he would need to put an extra man on the field to contain Dawson. Instead, Gilmore??s Crusaders went the opposite way, having just ten men on the field for Dawson’s fourth-and-one touchdown run. “He’s a great runner, he’s got great vision, he can break tackles,” Gilmore said...
...It’s tough to make real-life comparisons to ‘Happy Gilmore??,” Hynes says...