Word: gilpin
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Dates: during 1970-1979
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...arms control, Princeton's Robert G. Gilpin, a professor of international politics, worried that Carter was "exposing his hands too early and encouraging the Russians to probe how far they can go in extracting further concessions." Other experts noted that the Russians do not relish negotiating so openly and almost certainly will insist that their own positions be stated only in secrecy across the bargaining tables...
...SUPPORTING CAST has, in human terms, the juiciest roles--and takes full advantage. Tony Abatemarco's General Ivolgin, Michael Gury as his healthy and Jack Gilpin his tubercular sons are effective both singly and as a divided family, just as Geralyn Williams and Eleanor Lindsay, Madamae Yepenchin and Aglaya, form anice bourgeois setpiece Josh Rubins is hilarious and vile as the obnoxious Lebedev...
...Harvard Lampoon announce the names of its new officers for 1972. They are: S. Eric Rayman '73, of Scarsdale, N.Y. and Eliot House, President; John M. Gilpin '73, of Boyce, Va. and Adams House, Ibis; Ian Frazier '73, of Hudson, Ohio and Dunster House, Narthex; James H. Siegleman '73, of Shaker Heights, Ohio and Mather House, Vanitas; James M. Downey '74, of Joliet, Ill, and Adams House, Sanctum; Henry J. S. Cheever '73, of Pittsburgh, Pa. and Lowell House, Treasurer; Christopher L. Kyllonen '74, of Hanover, N.H. and Quincy House, Advertising Manager; Jake Arbes '73, of Chattanooga, Tena. and Lowell...
...actors' problems are varied. Jack Gilpin, as the young writer Treplev, and Sarah Payne as Nina, the girl who leaves him for a more successful writer and a career on the stage, simply do not generate enough excitement as the principle characters. Some of the actors cannot convincingly portray characters who are supposed to be older than they are. Frank Leupold, as the old man, Sorin, exaggerates his senility too much to be effective. Scott Munerbrook, as the successful writer Trigorin, on the other hand, looks and acts too young for the part. There were, however, two fine performances...
...minutes or so, but gradually works its way up to a brilliant intensity. Michael Smith as Max comes on weak, as if feeling out the terrain, but grows into his part after a while, gradually beginning to talk to his son instead of to the audience. Likewise, John Gilpin, as the son, Lenny, warms up slowly, but finally works into character...