Word: gime
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Dates: during 1970-1979
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Mindful that the work was composed in 1787, on the eve of the French Revolution, Losey chooses to see it as a drama of conflict between a cynical, depleted ancìen régime and the exploited lower orders. He tacks on an epigraph from Italian Marxist Antonio Gramsci: ". . . the old is dying and the new cannot be born; in this interregnum, a great variety of morbid symptoms appears." His Don, solemnly played by Ruggero Raimondi, is a joyless, brooding creature whose compulsive sexuality is merely a neurotic reflection of social tensions. Losey gives us the least passionate seducer...
...puis, prince ne daigne. Rohan suis"- "King I cannot be, to be prince I disdain. I am Rohan." This sublimely arrogant ancien régime motto suggests Bruce's transactions with the artists he knew in Paris. The main influences on him were Cézanne and, above all, Matisse (Bruce once lent Picasso money, but refused to take his art seriously: it was too showy and volatile for him.) His homages to Matisse never ended. Matisse's insistence on achieving structure through local color contrast lies behind Bruce's post-cubist compositions of 1916, in which...
...July 1971 a Communist coup d'état took place in Sudan. My attitude was firm. I said we condemned it because we would not accept a Communist régime established on our doorstep-in a country sharing our borders. A few days later, however, the coup was foiled and President [Jaafar] Numeiry, having got rid of his enemies, was back in power...
...point was François Boucher. The son of a French needlework designer, he became the most successful French painter of the 18th century, the favorite of Louis XV and his mistress Madame de Pompadour. Born in 1703, Boucher lived through the climax of the ancien régime and died less than two decades before it did. "In him," wrote Jules and Edmond de Goncourt, in their great defense of rococo art published almost a century after the death of Boucher, "French 18th century taste was manifest, in all the peculiarity of his character. Boucher was not only...
...work are subtracted, Boucher remains a startling and almost great painter. The sensuousness, the lively plasticity of drawing, the marvelous sensitivity to color and texture, the ironic grasp of elaborate mythologies and allegories still remind us of Talleyrand's wistful epitaph on the ancien régime - that no one who did not live before the Revolution can know the sweetness of life...