Word: gina
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Dates: during 1950-1959
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Like every circus worthy of the name, Trapeze offers plenty of exciting sideshows, and the favorite distraction is sure to be Gina Lollobrigida, who keeps drifting across the screen in pretty, scant costumes. Gina is a lowly trampolinist who wants to fly high, and she keeps trying to climb the rigging with the "catcher" (Lancaster) in the aerial act, but Burt will not give her a tumble. He does all his catching on the high bar with Tony Curtis, and he refuses to let a woman come between them. But Gina keeps pitching those curves, and pretty soon both Burt...
Robert Taylor and Gina...
...level. In Leningrad he noticed a little crowd around a man selling pictures. They were not the type of pictures which one can buy so easily from such little men in Paris; they were old photographs of Robert Taylor and Jeanette MacDonald, and never ones of Girard Philippe and Gina Lollobrigida...
Until recently the only adequate recording of Turandot was the Cetra set which featured the electrifying singing of Gina Cigna as Turandot and the haunting Calaf of Giulio Masini. Now London has issued a beautifully recorded version that is one of their most satisfactory operatic sets. The taxing role of Turandot finds Inge Borkh lacking in the most dramatic moments, but her voice in the lyrical passages is ravishing. Renata Tebaldi has too heavy a soprano for the role of Liu, but she gives a more sustained performance than has been her wont of late. As the Calaf, Mario...
...Sophia began crowding Gina Lollobrigida, the two stars flared into a beautifully illuminated public battle which soon degenerated into pressagent-inspired quotes on each other's bust measurements. Now that she has reached the top in Italy, Sophia is ready to start at the top in U.S. films. Next spring she will begin shooting her first American movie, co-starring with Gary Grant and Frank Sinatra in Stanley Kramer's The Pride and the Passion...