Word: gine
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Dates: during 1960-1969
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Richard Strauss: Der Rosenkavalier (London). Conducted by Georg Solti, this Rosenkavalier neatly obliterates its recorded competition. Three lush-voiced ladies (Régine Crespin, Helen Donath and Yvonne Minton) keep the story poised convincingly between spring and autumn and the music teetering tenderly on the verge of tears. The big cast is stuffed with the names of well-loved Viennese singers, as well as the Met's sensational new tenor, Luciano Pavarotti...
where a computer will print out a daily report on the engine's condition. Thus Astrolog will spot engine problems be fore they become serious and will probably reduce the number of routine en gine inspections now required...
...Karajan's slow, deliberate pace illuminates each stroke of genius in the score, but some listeners will find that he has sacrificed passion for clarity and restrained the anguish that Wagner's wild climaxes can evoke. No matter: Jon Vickers' Siegmund is powerful and Régine Crespin's hotoyohos are properly rousing...
...before the festival performance, brought in a TV production firm-in which he is a major stockholder-to film the festival for worldwide distribution, and lined up more than 20 radio networks. These tie-ins enabled him to sign such top singers as Jon Vickers and Régine Crespin, and he even persuaded the Berlin senate to let the city's famed Philharmonic make its first appearance in an opera...
...GINE CRESPIN (Angel). Soprano Crespin has the distinction of being both the finest operatic voice of France and one of opera's leading Wagnerians. Here she sings arias from Tannhüiuser together with Verdi's Otello and Il Trovatore, Rossini's William Tell and Berlioz' Damnation of Faust, and seems equally at home in all four styles and all three languages...