Word: ginger
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Unlike the man he would replace, no one would ever mistake Gephardt for a revolutionary. With his flat Midwestern accent, his crisp, cuffless blue suits and his wispy, ginger-colored hair, he comes across as exactly what he is: careful and deliberate, encouraging but rarely inspiring. Where Gingrich prefers to back his opponents up against a wall, Gephardt would rather subdue them at the negotiating table. His willingness to sit and listen for hours while others gripe and posture has earned him the nickname "Ironbutt," courtesy of his colleagues...
...exuberant and abstract as the dances in a Busby Berkeley musical. And Chan is a superb physical artist, whether leaping off cliffs or hanging from a bus by an umbrella handle. As novelist Donald E. Westlake put it, "Jackie Chan is Fred Astaire, and the world is Ginger Rogers...
...film, the first to get a wide release in the U.S., the Bronx is Ginger Rogers. (The film was actually shot in Vancouver, British Columbia; thus the scenic mountains, and thugs with pasty skin and a predilection to say "Eh?" a lot.) As the guy who cleans up a ghetto, helps a crippled kid and does battle with a rampaging Hovercraft, Chan shows off the muscle of a superhero and the charm of a deft comedian. He doesn't swagger or threaten, flash his Magnum .44 or talk dirty to women; he's Gentleman Jackie...
There is no Ginger Rogers linked immortally to Kelly's name, and that's no accident. For he was a solipsist who did not share the screen easily with anyone. Suspiciously good at playing hammy, self-serving show folks--see his hoofing heel in For Me and My Gal, his grandiloquent strolling player in The Pirate, and remember that the guy with the umbrella was a movie star not entirely displeased with the figure he was cutting--he occasionally made you wonder: Is he exercising egocentricity or satirizing...
...driven by greed and last--those traits which are celebrated in Vegas--this film works. But soon the main characters lose their passion and the script, by Scorsese and Nicholas Pileggi, can offer them no real options. In "Casino" everyone is content to gamble without worrying. When Ace, Ginger and Nicky finally do lose everything, it's too late--the audience has stopped caring. The impression which remains is a richness of atmosphere which is sickening...