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...humble kind of virtuosity that is not afraid of understatement. His debut, the start of a 15-concert tour of nine states, occurred in a walled-off end of Millett Hall, the Miami U. sports arena-which had surprisingly good acoustics. A burly bear with stooped shoulders, ginger-colored beard and long brown hair that waves up at the neck, Berman came out looking grim and tense. Once he was at the keyboard, all illusions of nerves or cumbersomeness vanished. He sits squarely at the piano, his eyes fixed on the keys, making no theatrical gestures...

Author: /time Magazine | Title: Music: Russian Fireworks | 1/26/1976 | See Source »

...ridicule is a shoe that fits so many feet it scarcely matters which one it was taken from. No prior knowledge of Mary Margaret McBride is necessary to enjoy their Mary McGoon, with her recipe for frozen ginger ale salad. One need never have heard Mary Noble, Backstage Wife to enjoy the hilariously muddled banalities of their Mary Backstayge, Noble Wife...

Author: /time Magazine | Title: Books: Loony Logic | 11/24/1975 | See Source »

...Ginger Anderson...

Author: /time Magazine | Title: Forum, Oct. 13, 1975 | 10/13/1975 | See Source »

...Depression, dearie," whispers a coyly melancholy Ginger Rogers. That much director Philippe Mora makes starkly clear in his latest film, Brother Can You Spare a Dime? But the vast diversity of the Depression experience for each segment of American society obscures Mora's otherwise successful representation of America in the 1930s; the film becomes a canvas on which he depicts his personal intepretation of the national consciousness during that...

Author: By Larry B. Cummings, | Title: Breadlines and Grilled Millionaire | 10/7/1975 | See Source »

...search of work. Mora uses his selections from Depression vintage cinema to juxtapose reality and fantasy as he pans the gloomy landscape that characterized the era. While he often contrasts the grim reality of life during the Depression with such fanciful films as Gold Diggers of 1933, starring Ginger Rogers, he uses similar clippings to demonstrate a haunting similarity between fiction and fact in the 1930s. Random scenes from King Kong (1932-33), for example, invite a comparison of the fright inspired in New York subway passengers by the ravages of an overgrrown ape to the frenzied fear of bank...

Author: By Larry B. Cummings, | Title: Breadlines and Grilled Millionaire | 10/7/1975 | See Source »

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