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...most imminent danger of assassination remained last week nearly all prominent Japanese who had any reputation as mild men or liberals and were not identified with the Japanese Army's murderously inclined "Ginger Group" (TIME, March...

Author: /time Magazine | Title: JAPAN: Genro, Godling & Ginger | 3/16/1936 | See Source »

...about the assassinations. It was willing last week to offer "expiation" but on the ironclad understanding that the next Premier & Cabinet would not be men who would settle down in the same old grooves of what might be called Capitalism at home and Pacifism abroad. Amazingly enough, the "Ginger Group" of the fighting services is firmly convinced that Japan's actions in respect to China have been thus far so much more peaceful than they might have been as to be shockingly Pacifist...

Author: /time Magazine | Title: JAPAN: Genro, Godling & Ginger | 3/16/1936 | See Source »

Diplomatic Ginger. Among Japanese civilians there is a less pungent "Ginger Group" composed of exceedingly ambitious and snappy young men who have been jumped sensationally to high promotions in the Japanese Diplomatic Service over the dismayed and hoary heads of venerable superiors who would like to know what Japan and respect for age in the Orient are coming...

Author: /time Magazine | Title: JAPAN: Genro, Godling & Ginger | 3/16/1936 | See Source »

...dancing of Alice Faye, and several good songs ("I've Got My Fingers Crossed," "I'm Shooting High") manage to hold it together for the final embrace. But we would not care to dine in Warner's night club, with fifty trapeze girls soaring over our gin and ginger...

Author: By J. E. A., | Title: The Moviegoer | 3/16/1936 | See Source »

...Ginger Rogers no longer fakes. Working ten hours a day for two years, she has taught herself to dance, with Astaire's help, until she has become a full-fledged teammate. Irving Berlin, now apparently a third but highly helpful wheel in the Rogers-Astaire tandem, wrote music and lyrics of all seven tunes used in Follow the Fleet. The more serious numbers, Here Am I, But Where Are You, Get Thee Behind Me, Satan, have a nostalgic catch that is characteristically Berlinish. They are sung by Harriet Hilliard whose general proficiency got her a starring contract when...

Author: /time Magazine | Title: Cinema: The New Pictures: Mar. 2, 1936 | 3/2/1936 | See Source »

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