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...Hollywood, he was deemed too lacking in acting ability and sex appeal to do more than a momentary turn in Dancing Lady, for which Metro-Goldwyn-Mayer borrowed him from RKO. That bit made Astaire one of the five biggest box-office names in the industry. Teamed with Ginger Rogers?an almost equally capable comedienne who had been overlooked for years for the same reasons?he has since made an estimated $10,000,000 for the company which had at first been happy to lend him to its competitors. Finally, thanks more to Fred Astaire than any other single influence...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 9, 1935 | 9/9/1935 | See Source »

Portly, sales-minded Richard Reynolds, nephew of Winston-Salem's late Tobacco-man Richard Joshua Reynolds, arrived at the building business by the devious route of tin foil for tobacco and the Eskimo Pie, wrappings and labels for ham, candy boxes, ginger ale bottles, other fast-selling packaged products. Few years ago he made the discovery that the foil which wraps an Eskimo Pie can also be used to insulate a house. It was really no discovery at all because the Germans had long used shiny foil for insulation because of its high reflective power. Foilman Reynolds...

Author: /time Magazine | Title: Business: House by Reynolds | 9/2/1935 | See Source »

This week Paramount will release Cecil B. DeMille's The Crusades; RKO will exhibit Alice Adams, starring Katharine Hepburn. Within the next month will appear Greta Garbo in Anna Karenina, Charlie Chaplin in Modern Times, Fred Astaire & Ginger Rogers in Top Hat, Will Rogers in Steamboat Round the Bend, Marion Davies in Page Miss Glory. Last week the first "superspecial" picture of the new season enjoyed its premiere in Manhattan. This-advertised on billboards all over the U. S. for the past two months, starring Jean Harlow, Clark Gable & Wallace Beery, produced at a cost...

Author: /time Magazine | Title: Cinema: New Season | 8/19/1935 | See Source »

...Ginger, Jane Withers' first starring picture, is uncomplicated enough to conform to the limited rules laid down for child heroines denied the privilege of passion. It details the education of an urchin. Phase No. 1 displays her as a tenement scamp named Ginger, haphazardly raised by a bibbing old foster uncle (0. P. Heg-gie). In the role of brat, she stones windows, pastes neighborhood friends with fruit, eludes policemen by sliding gaily down a coal chute, fabricates glibly and frequently...

Author: /time Magazine | Title: The New Pictures: Jul. 15, 1935 | 7/15/1935 | See Source »

Phase No. 2 commences when, haled into court for petty larceny, she is taken under the wing of a fatuous matron named Mrs. Parker (Katharine Alexander) who thinks Ginger good copy for a proposed book on child-raising. But Ginger, once installed in the matron's smart house, is bad copy indeed. She takes an instant dislike to her beauteous, black-haired benefactress whom she insults with or without provocation. She knocks over vases, upsets dinner with her bad manners, complains that "this dump is an ice box," thinks all the servants are waiters. By the time...

Author: /time Magazine | Title: The New Pictures: Jul. 15, 1935 | 7/15/1935 | See Source »

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