Word: ginsberg
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Dates: during 1960-1969
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Investigators of psilocybin at Harvard's Center for Research In Personality are unbounded in their enthusiasm for this new drug, reporting that it frequently increases powers of creative thinking in both artistic and scientific areas. A number of authors (Aldous Huxley, William Burroughs, Allen Ginsberg, and others) studied in the Harvard project found that their work benefited enormously from the influence of psilocybin, and preliminary investigations have indicated that the "mushroom experience" may be of value in the rehabilitation of prisoners. The directors of the Center envision the use of psilocybin in a "mushroom seminar" for graduate students in theology...
...intellectual lumber; they have no public hope, for they feel soiled and guilty from contact with any part of existing society. They want to strip bare and dig down to a hoped-for bedrock showing no trace of an earlier passage of man. This is what Mr. Allen Ginsberg means when he says that man himself is obsolete; this is what Samuel Beckett and others are trying to show us on a stage where no responses are predictable or congenial; this is what Mr. Henry Miller is explaining at length in works where visions of love and feasts of sexuality...
...permissive parents, Vedantists, Taoists, Zen Buddhists and Bohemians. Getting personal, he is agin' Jean Jacques Rousseau, Arthur Schopenhauer. Walt Whitman, Alfred Kinsey. Adlai Stevenson, Aldous Huxley, Jack Paar, Caryl Chessman, Erich Fromm, Boris Pasternak, Charles Van Doren, Tennessee Williams, Françoise Sagan, Jack Kerouac, Norman Mailer, Allen Ginsberg, Archibald MacLeish, Albert Camus. Samuel Beckett, D. T. Suzuki and James F. Powers. He is also agin...
...superb as Luciano-full of gutter cynicism, arrogance, brutality, and yet at moments pathetic. The show's spontaneity derived partly from the fact that the lawyers involved were real, some of the best courtroom performers in New York (Richard Steel William Geoghan Jr., Charles Haydon,' Benedict Ginsberg), who ad-libbed much of their argument. On the griddle this week: Huey Long. Later: Arnold Rothstein, "Shoeless" Joe Jackson, and former New York Mayor James J. Walker...
...gathering momentum by the moment. The beatnik film, Pull My Daisy, which runs only 29 minutes but seems considerably longer, is a sort of celluloid-muffled Howl. Financed (for $20,000) by a couple of Manhattan brokers, it features a few well-known beat bards (Allen Ginsberg, Gregory Corso, Peter Orlovsky) in a "free improvisation" on a scene from an unproduced play by Jack (On the Road) Kerouac. The beatniks stumble around a pad on Manhattan's Lower East Side, giggle hysterically, wrestle, and mumble "poetry." Even so, Daisy is funnier than most sick jokes, and, considering the subject...