Word: ginza
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Dates: during 1960-1969
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...moon, it seemed as if all mankind were kin. Whether in stilt-supported houses over the canals of Bangkok or by the azure swimming pools of Beverly Hills, families sat mesmerized before the flickering history unfolding on their television screens. Along London's Piccadilly and Tokyo's Ginza, crowds and traffic thinned as the launch began. In West Berlin, as in South Nyack, N.Y., there was a rare sense of camaraderie. Strangers on the street were united by the universal question: "How are they doing?" It seemed, as Tennyson wrote more than a century...
Angry and embarrassed, the Okinawans stared at the television monitors in a Tokyo TV studio. Across the screen flashed scenes of Japanese student rioters surging through the Ginza area, hurling Molotov cocktails, jamming auto and rail traffic and stoning every cop in sight. Police kept the 8,000 demonstrators under a degree of control with the generous use of throat-clogging tear-gas grenades and high-pressure water hosings. In the process, some 160 people were injured and 900 students were seized...
...favors in the great cities of the world, and he observed that "Negroes, their pigmentation of skin notwithstanding, are at least taller and straighter than the Japanese and perhaps have a greater sex appeal." All this created waves of giggles among the good-time girls of the Ginza bars, but it was scarcely calculated to win smiles of approval from officials at the Gaimushyo (Foreign Ministry...
...executive-san concerned. They are paid, no questions asked. The Japanese executive has the world's most generous expense account for nocturnal diversions. A government survey found that in 1967, Japanese businessmen spent $1.4 billion on nontaxable "official entertainment." The 1,140 bars along Tokyo's Ginza depend on the free-spending businessman, who likes to do his entertaining away from wife and home. If it were not for the golden fringes, the main streets of Tokyo-and many other great cities-would be dull indeed after dark...
Despite his acknowledged indebtedness to Western artists, Ikeda's work also reflects Japanese life and artistic traditions. While supporting himself by doing portraits of bar patrons along Tokyo's Ginza (at 280 apiece), he studied older graphic techniques, and from them evolved his own distinctive style, in which he scratches directly on a metal plate with an etching needle to obtain a nervous, dramatically blurred line. "Why do Westerners insist that Japanese artists remain 'quaint' and 'traditional' in order to fit their image of artistry in Japan?" he asks. "We dress just as Americans...